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Having Been Said

Hodnocení knihy

Parametry

  • 496 stránek
  • 18 hodin čtení

Více o knize

Lawrence Weiner's art uses language in reference to materials. Language itself is a material and at the same time a means of presentation of his work. Weiner evolved this approach in the context of the Conceptual art of the late 60s, yet he does not see his own work as "conceptual." The "space" he works within is the entire cultural context, and his works are associated with various different media and forms of presentation: books, posters, videos, films, records, drawings, multiples, installations indoors and outdoors, and more. Since his earliest days as a professional artist, Weiner has given written and verbal expression to questions concerning his work and its context. These utterances--statements, interviews, lectures and conference contributions--have been collected together in this publication for the first time, and ordered chronologically. Taken as a whole they afford an insight both into a complex individual biography and into the wider development of art and culture and the challenge that this entails.

Nákup knihy

Having Been Said, Lawrence Weiner

Jazyk
Rok vydání
2004
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Doručení

Platební metody

4,6
Výborná
8 Hodnocení

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Titul
Having Been Said
Jazyk
anglicky
Vydavatel
Hatje Cantz
Rok vydání
2004
Vazba
měkká
Počet stran
496
ISBN10
3775791949
ISBN13
9783775791946
Série
Hodnocení
4,6 z 5
Anotace
Lawrence Weiner's art uses language in reference to materials. Language itself is a material and at the same time a means of presentation of his work. Weiner evolved this approach in the context of the Conceptual art of the late 60s, yet he does not see his own work as "conceptual." The "space" he works within is the entire cultural context, and his works are associated with various different media and forms of presentation: books, posters, videos, films, records, drawings, multiples, installations indoors and outdoors, and more. Since his earliest days as a professional artist, Weiner has given written and verbal expression to questions concerning his work and its context. These utterances--statements, interviews, lectures and conference contributions--have been collected together in this publication for the first time, and ordered chronologically. Taken as a whole they afford an insight both into a complex individual biography and into the wider development of art and culture and the challenge that this entails.