Knihobot

Zyklus und Prozess

Joseph Haydn und die Zeit

Parametry

  • 338 stránek
  • 12 hodin čtení

Více o knize

Since the 18th century, Faust promises never to linger in the moment, and Papagena pays her age by the minute. With industrialization, time became money, and revolutions toppled the old order. In Haydn's days, a sharpened awareness of permanence and change, time grids, and irregular courses developed. Authentic titles or later names of Haydn's works reference time and the passage of time: Le matin/Le midi/Le soir/Die Uhr/Die Jahreszeiten. This interdisciplinary volume, featuring contributions from international experts, examines the impact of this new awareness of time on the musical thinking of the era. Drawing from various approaches, it bridges the perception of time in the period and Haydn's personal experience of time, contemporary ideas of progress and acceleration, and the composer's narrative strategies, as well as the technical developments alongside the fascination that clocks and automatons held for contemporaries and Haydn's rhythmic finesse. The collected essays thus locate aspects of musical time design in both compositional history and cultural studies.

Nákup knihy

Zyklus und Prozess, Marie Agnes Dittrich

Jazyk
Rok vydání
2012
product-detail.submit-box.info.binding
(měkká)
Jakmile se objeví, pošleme e-mail.

Doručení

Platební metody

Nikdo zatím neohodnotil.Ohodnotit

Titul
Zyklus und Prozess
Podtitul
Joseph Haydn und die Zeit
Jazyk
anglicky
Vydavatel
Böhlau
Rok vydání
2012
Vazba
měkká
Počet stran
338
ISBN10
3205785142
ISBN13
9783205785149
Série
Anotace
Since the 18th century, Faust promises never to linger in the moment, and Papagena pays her age by the minute. With industrialization, time became money, and revolutions toppled the old order. In Haydn's days, a sharpened awareness of permanence and change, time grids, and irregular courses developed. Authentic titles or later names of Haydn's works reference time and the passage of time: Le matin/Le midi/Le soir/Die Uhr/Die Jahreszeiten. This interdisciplinary volume, featuring contributions from international experts, examines the impact of this new awareness of time on the musical thinking of the era. Drawing from various approaches, it bridges the perception of time in the period and Haydn's personal experience of time, contemporary ideas of progress and acceleration, and the composer's narrative strategies, as well as the technical developments alongside the fascination that clocks and automatons held for contemporaries and Haydn's rhythmic finesse. The collected essays thus locate aspects of musical time design in both compositional history and cultural studies.