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Shoplifting From American Apparel

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Hodnocení knihy

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  • 112 stránek
  • 4 hodiny čtení

Více o knize

Set mostly in Manhattan—although also featuring Atlantic City, Brooklyn, GMail Chat, and Gainsville, Florida—this autobiographical novella, spanning two years in the life of a young writer with a cultish following, has been described by the author as “A shoplifting book about vague relationships,” “2 parts shoplifting arrest, 5 parts vague relationship issues,” and “An ultimately life-affirming book about how the unidirectional nature of time renders everything beautiful and sad.” From VIP rooms in hip New York City clubs to central booking in Chinatown, from New York University’ s Bobst Library to a bus in someone’s backyard in a college-town in Florida, from Bret Easton Ellis to Lorrie Moore, and from Moby to Ghost Mice, it explores class, culture, and the arts in all their American forms through the funny, journalistic, and existentially-minded narrative of someone trying to both “not be a bad person” and “find some kind of happiness or something,” while he is driven by his failures and successes at managing his art, morals, finances, relationships, loneliness, confusion, boredom, future, and depression.

Nákup knihy

Shoplifting From American Apparel, Tao Lin

Jazyk
Rok vydání
2009
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Doručení

Platební metody

3,2
Dobrá
3928 Hodnocení

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Titul
Shoplifting From American Apparel
Jazyk
anglicky
Autoři
Tao Lin
Rok vydání
2009
Vazba
měkká
Počet stran
112
ISBN10
1933633786
ISBN13
9781933633787
Série
Hodnocení
3,15 z 5
Anotace
Set mostly in Manhattan—although also featuring Atlantic City, Brooklyn, GMail Chat, and Gainsville, Florida—this autobiographical novella, spanning two years in the life of a young writer with a cultish following, has been described by the author as “A shoplifting book about vague relationships,” “2 parts shoplifting arrest, 5 parts vague relationship issues,” and “An ultimately life-affirming book about how the unidirectional nature of time renders everything beautiful and sad.” From VIP rooms in hip New York City clubs to central booking in Chinatown, from New York University’ s Bobst Library to a bus in someone’s backyard in a college-town in Florida, from Bret Easton Ellis to Lorrie Moore, and from Moby to Ghost Mice, it explores class, culture, and the arts in all their American forms through the funny, journalistic, and existentially-minded narrative of someone trying to both “not be a bad person” and “find some kind of happiness or something,” while he is driven by his failures and successes at managing his art, morals, finances, relationships, loneliness, confusion, boredom, future, and depression.