Knihobot

Plays 1

The Lament for Arthur Cleary / In High Germany / The Holy Ground / Blinded by the Light

Hodnocení knihy

Parametry

  • 224 stránek
  • 8 hodin čtení

Více o knize

The first collection of plays from one of Ireland's most accomplished contemporary writersThis volume contains four plays: The Lament for Arthur Cleary: "Theatrically rich and socially powerful, it takes on the lineaments of an epic voyage, a voyage into the dark heart of a city where Irish theatre has seldom been before" (Irish Times); In High Germany: "Thoughtful, comic, sad and provocative, this monologue of a lost and altered heritage … These two plays [In High Germany and The Holy Ground] are cogent manifestations of a changing Irish world" (Irish Times); The Holy Ground: "A tour de force. It's stream of consciousness theatre at its best … [which] develops a pace until the listener is hanging on to every syllable" (Sunday Press); Blinded by the Light: "Manically madcap and hilariously funny, it canters in a bawdy romp onto the stage, heralding the arrival of a unique comic writing talent. Energetic, perfectly timed and brilliantly observed" (Irish Press)

Nákup knihy

Plays 1, Dermot Bolger, Fintan O. Toole

Jazyk
Rok vydání
2000
Vazba
(měkká)
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Doručení

Platební metody

4,2
Velmi dobrá
7 Hodnocení

Tady nám chybí tvá recenze.

Titul
Plays 1
Podtitul
The Lament for Arthur Cleary / In High Germany / The Holy Ground / Blinded by the Light
Jazyk
anglicky
Vydavatel
Methuen Drama
Rok vydání
2000
Vazba
měkká
Počet stran
224
ISBN10
0413745007
ISBN13
9780413745002
Série
Hodnocení
4,15 z 5
Anotace
The first collection of plays from one of Ireland's most accomplished contemporary writersThis volume contains four plays: The Lament for Arthur Cleary: "Theatrically rich and socially powerful, it takes on the lineaments of an epic voyage, a voyage into the dark heart of a city where Irish theatre has seldom been before" (Irish Times); In High Germany: "Thoughtful, comic, sad and provocative, this monologue of a lost and altered heritage … These two plays [In High Germany and The Holy Ground] are cogent manifestations of a changing Irish world" (Irish Times); The Holy Ground: "A tour de force. It's stream of consciousness theatre at its best … [which] develops a pace until the listener is hanging on to every syllable" (Sunday Press); Blinded by the Light: "Manically madcap and hilariously funny, it canters in a bawdy romp onto the stage, heralding the arrival of a unique comic writing talent. Energetic, perfectly timed and brilliantly observed" (Irish Press)