Více o knize
Caillebotte's vivid representations of Parisian life bridged the gap between Realism and Impressionism during the late 1870s and early 1880s. His Paris Street: Rainy Day and Floorscrapers - each the subject of a fascinating, extensively illustrated analysis in this book - have become icons of the Impressionists' devotion to scenes of modern urban life. Prepared by an international team of scholars to accompany the major 1994-95 retrospective organized by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, and The Art Institute of Chicago, Gustave Caillebotte: Urban Impressionist reproduces 89 of his paintings and 28 of his drawings and studies, many of them from little-known private collections. Thoughtful essays examine both his work and his crucial role as an early patron and promoter of Impressionism. A chronology, list of exhibitions, and selected bibliography provide additional invaluable information.
Nákup knihy
Gustave Caillebotte, Urban Impressionist, Anne Distel
- Jazyk
- Rok vydání
- 1995
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- (měkká)
Doručení
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- Titul
- Gustave Caillebotte, Urban Impressionist
- Podtitul
- The Art Institute of Chicago
- Jazyk
- anglicky
- Autoři
- Anne Distel
- Vydavatel
- Art Institute of Chicago
- Rok vydání
- 1995
- Vazba
- měkká
- Počet stran
- 351
- ISBN10
- 0865591393
- ISBN13
- 9780865591394
- Série
- Štítky
- Umění, 19. století
- Hodnocení
- 4,65 z 5
- Anotace
- Caillebotte's vivid representations of Parisian life bridged the gap between Realism and Impressionism during the late 1870s and early 1880s. His Paris Street: Rainy Day and Floorscrapers - each the subject of a fascinating, extensively illustrated analysis in this book - have become icons of the Impressionists' devotion to scenes of modern urban life. Prepared by an international team of scholars to accompany the major 1994-95 retrospective organized by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, and The Art Institute of Chicago, Gustave Caillebotte: Urban Impressionist reproduces 89 of his paintings and 28 of his drawings and studies, many of them from little-known private collections. Thoughtful essays examine both his work and his crucial role as an early patron and promoter of Impressionism. A chronology, list of exhibitions, and selected bibliography provide additional invaluable information.


