Knihobot

The Black Index

Hunter College Art Galleries

Hodnocení knihy

Parametry

  • 128 stránek
  • 5 hodin čtení

Více o knize

The artists featured in The Black Index —Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas—build upon the tradition of Black self-representation as an antidote to colonialist images. Their translations of photography challenge the medium’s long-assumed qualities of objectivity, legibility, and identification. Using drawing, sculpture, and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and historical understanding. The works featured here offer an alternative practice—a Black index. In the hands of these six artists, the index still serves as a finding aid for information about Black subjects, but it also challenges viewers’ desire for classification and, instead, redirects them toward alternative information.

Nákup knihy

The Black Index, Bridget R. Cooks

Jazyk
Rok vydání
2020
Vazba
(pevná),
Stav knihy
Dobrá
Cena
429 Kč

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Titul
The Black Index
Podtitul
Hunter College Art Galleries
Vydavatel
Hirmer
Rok vydání
2020
Vazba
pevná
Počet stran
128
ISBN10
3777435961
ISBN13
9783777435961
Série
Štítky
Architektura
Hodnocení
5 z 5
Anotace
The artists featured in The Black Index —Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas—build upon the tradition of Black self-representation as an antidote to colonialist images. Their translations of photography challenge the medium’s long-assumed qualities of objectivity, legibility, and identification. Using drawing, sculpture, and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and historical understanding. The works featured here offer an alternative practice—a Black index. In the hands of these six artists, the index still serves as a finding aid for information about Black subjects, but it also challenges viewers’ desire for classification and, instead, redirects them toward alternative information.