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Lyric Eye

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Lyric Eye: The Poetics of Twentieth-Century Surveillance presents the first detailed study of the relationship between poetry and surveillance. It critically examines the close connection between American lyric poetry and a burgeoning U.S. state surveillance apparatus from 1920 through the 1960s. The book explores the myriad ways that poets -- Ezra Pound, William Carlos Williams, W.H. Auden, Langston Hughes, James Baldwin, Sylvia Plath, Gertrude Stein, Robert Lowell, Allen Ginsberg, and others -- explored a developing and fraught environment in which the growing power of American investigative agencies, such as the FBI under Hoover, imposed new pressures on cultural discourse and personal identity. In analysing twentieth-century American poetry and its various ideas about 'the self', Lyric Eye demonstrates the extent to which poetry and surveillance employ similar styles of information gathering such as observation, overhearing, imitation, abstraction, repurposing of language, subversion, fragmentation, and symbolism. Ground-breaking and prescient, this book will be of great interest to scholars and researchers of literature, politics, surveillance and intelligence studies, and Digital Humanities.

Nákup knihy

Lyric Eye, Tyne Daile Sumner

Jazyk
Rok vydání
2021
Vazba
(měkká),
Stav knihy
Dobrá
Cena
1 049 Kč

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Platební metody

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Titul
Lyric Eye
Jazyk
anglicky
Vydavatel
Routledge
Rok vydání
2021
Vazba
měkká
Počet stran
204
ISBN10
1032052082
ISBN13
9781032052083
Série
Anotace
Lyric Eye: The Poetics of Twentieth-Century Surveillance presents the first detailed study of the relationship between poetry and surveillance. It critically examines the close connection between American lyric poetry and a burgeoning U.S. state surveillance apparatus from 1920 through the 1960s. The book explores the myriad ways that poets -- Ezra Pound, William Carlos Williams, W.H. Auden, Langston Hughes, James Baldwin, Sylvia Plath, Gertrude Stein, Robert Lowell, Allen Ginsberg, and others -- explored a developing and fraught environment in which the growing power of American investigative agencies, such as the FBI under Hoover, imposed new pressures on cultural discourse and personal identity. In analysing twentieth-century American poetry and its various ideas about 'the self', Lyric Eye demonstrates the extent to which poetry and surveillance employ similar styles of information gathering such as observation, overhearing, imitation, abstraction, repurposing of language, subversion, fragmentation, and symbolism. Ground-breaking and prescient, this book will be of great interest to scholars and researchers of literature, politics, surveillance and intelligence studies, and Digital Humanities.