John Edgar Wideman Knihy

A stunning collection of all new stories from the twice winner of the PEN/Faulkner Award - essential reading for understanding the state of America today

Reuben is an aging, wizened, slightly humpbacked black man. He lives in an abandoned trailer so cluttered with the detritus of his sixty years that visitors can scarcely find him amid the litter. Yet Reuben is also intelligent-street smart and plain smart-kind, thoughtful and possessed of an extraordinarily sharp legal mind. As a lawyer, he is the go between for the poor black of Homewood who must deal with the authorities' downtown. (Taken from inside front jacket).

Fifty-seven short stories drawn from past collections celebrate the lifelong significance of this major American writer's essential contribution to a form--illuminating the ways that he has made it his own.

“A rare triumph” (The New York Times Book Review), this powerful memoir about the divergent paths taken by two brothers is a classic work from one of the greatest figures in American literature: a reflection on John Edgar Wideman’s family and his brother’s incarceration—a classic that is as relevant now as when originally published in 1984. A “brave and brilliant” (The Philadelphia Inquirer) portrait of lives arriving at different destinies, the classic John Edgar Wideman memoir, Brothers and Keepers, is a haunting portrait of two brothers—one an award-winning writer, the other a fugitive wanted for a robbery that resulted in a murder. Wideman recalls the capture of his younger brother, Robby, details the subsequent trials that resulted in a sentence of life in prison, and provides vivid views of the American prison system. A gripping, unsettling account, Brothers and Keepers weighs the bonds of blood, affection, and guilt that connect Wideman and his brother and measures the distance that lies between them. “If you care at all about brotherhood and dignity…this is a must-read book” (The Denver Post). With a new afterword by his brother Robert Wideman, recently released after more than fifty years in prison.

Frantz Fanon's life and legacy serve as the backdrop for a contemporary African American novelist's project to write about him. The narrative weaves through various locations, including Manhattan, Paris, and Algeria, blending genres such as whodunit, screenplay, and love story. As the novelist explores Fanon's impact on liberation movements and confronts the persistent racism and oppression in a post-9/11 world, the story also introduces notable figures like French director Jean-Luc Godard, creating an electrifying commentary on Fanon's enduring relevance.

Eleven people – five of them children – are killed in west Philadelphia when 6221 Osage Avenue is bombed out of existence. One small boy is seen to escape the fire. From his life of self-exile on an island in the Aegean, Cudjoe mourns the child until it becomes an obsession, leading him home, forcing him to face up to his own profound alienation and to the wrenching realities of his native land. He searches for the boy and, as he does so, he searches out his own past. Reconstructing his life plunges him backwards into memories both personal and communal, forwards inch by inch into a city fast becoming a nightmare. ‘Wideman’s novel succeeds through raw emotion and a linguistic versatility . . . Written in a sinewy language which also combines reportage, Philadelphia Fire operates as parable and social document’ Irish Times ‘Philadelphia Fire is a welter of fine writing, sociological observation, polemical address and messianic prophecy . . . A literary novel in the grand contemporary, postmodern, literary style’ New Statesman & Society ‘Unquestionably the foremost chronicler of the urban African-American experience. A master storyteller, Wideman is both a witness and a prophet’ Caryl Phillips