Chus Marti nez Knihy

The story follows a relentless vigilante known as The Bastardizer, who is driven by a fierce obsession to deliver street justice for the music industry. Despite pressure from his superiors to rein in his violent methods, he continues to escalate his actions, resulting in a rising body count. The narrative explores themes of obsession, justice, and the consequences of operating outside the law, as The Bastardizer ruthlessly eliminates anyone who crosses him.

A graphic novel exploring Texaco's involvement in the Amazon, as well as the ensuing legal battles between the oil company, the Ecuadorian government, and the region's inhabitants, from the perspective of Ecuadorian lawyer and activist Pablo Fajardo.

Exploring the intersection of art and nature, this collection of essays delves into how contemporary art practices challenge the culture/nature divide. Divided into four parts, the book addresses critical questions surrounding artistic practice, exhibition, and institutional frameworks. It portrays art as an organ that facilitates profound experiences and understanding of life processes. By examining concepts like multi-species communication and the evolution of artistic practice, the essays highlight art's pivotal role in shaping our perception of intelligence and existence.

The Brussels based collective Rotor created a platform for the endorsement of industrial waste re-use. Rotor wants, among other things, to encourage contacts between producers of interesting waste and potential re-users from the field of industry, design or architecture. The publication presents a documentation of different materials as well as the research that Rotor did in the past few years in different waste companies. It contains an essay on the historical change of the role of waste in society as well as and interview between the curators and the collective's members.

This comprehensive catalogue raisonné documents and depicts Yang’s entire oeuvre, from early action-based objects to lacquer paintings, photographs, works on paper and video, anthropomorphic sculptures, performative works, and large-scale installations with venetian blinds. The abbreviation ETA is internationally recognized as meaning “estimated time of arrival,” among other things, and points to an artistic career in transit and the constant itineracy of an artist who has exhibited internationally since 1994.