Michel de Montaigne Knihy

Nad Rabelaise a Montaigne francouzská renesance nevydala osobností výsostnějších a důsažnějších trvalostí a světovou rozsáhlostí vlivu. Rabelais představuje její radostný a důvěřivý počátek, zatímco Montaigne je výrazem její zralosti, kdy pozbyla optimistických iluzí a svobody myšlení používá k studiu lidské přirozenosti a jejích možností. Montaigne vyjadřuje poselství tolerance a laskavého skepticismu prostřednictvím literárního eseje, který je prostý, přirozený a neomezený pravidly rétoriky či filosofického diskursu. Jeho eseje se zaměřují na autentické mravní stanovisko spíše než na souvislost filosofického systému. Montaigne vydal tři knihy esejů, které si získaly pozornost domácí i zahraniční čtenářské veřejnosti a od osmnáctého století, „věku tolerance“, patří mezi nejproslulejší a nejvlivnější díla světového písemnictví. Český čtenář měl dosud možnost seznámit se pouze s malou ukázkou v starším výboru Ottovy Světové knihovny. Tato kniha se snaží vyplnit mezeru v naší překladové literatuře a přinést podstatné části Montaignova nesmrtelného díla.

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Describing his collection of Essays as `a book consubstantial with its author', Montaigne identified both the power and the charm of a work which introduces us to one of the most attractive figures in European literature. schovat popis

s/t: Compromising the Life of the Wisest Man of His Times: His Childhood, Youth, and Prime; His Adventures in LoveEveryone acknowledges the Essays of Michel de Montaigne as one of the glories of civilized thought. But in this volume, Marvin Lowenthal has drawn from his letters, essays, travel writings, and manuscripts to create a biography of his life told in his own words, thereby fulfilling Montaigne s intention of presenting his self-portrait to the world. For it was Montaigne who wrote, My book and I are one, and into his writing he poured the amazing varieties of his perceptions, his unflinching powers of observation and analysis, and his deeply felt love of humanity in all its messy contrariness. Above his desk, on a beam on his ceiling, were inscribed the words nihil humani alieni mihi puto : nothing human is alien to me and nothing was, for into his writing he distilled his tender heart and biting wit, his nonsense and wisdom, his passions and his hates. By collecting and arranging these autobiographical passages into a unified whole, Lowenthal has framed a complete portrait in this rich and rewarding book. All of Montaigne is here: his adventures and love affairs, his marriage, travels, tastes, and opinions. Seldom has so much wit, wisdom, and pure entertainment been packed into a single volume.

An NYRB Classics OriginalShakespeare, Nietzsche wrote, was Montaigne’s best reader—a typically brilliant Nietzschean insight, capturing the intimate relationship between Montaigne’s ever-changing record of the self and Shakespeare’s kaleidoscopic register of human character. And there is no doubt that Shakespeare read Montaigne—though how extensively remains a matter of debate—and that the translation he read him in was that of John Florio, a fascinating polymath, man-about-town, and dazzlingly inventive writer himself.Florio’s Montaigne is in fact one of the masterpieces of English prose, with a stylistic range and felicity and passages of deep lingering music that make it comparable to Sir Robert Burton’s Anatomy of Melancholy and the works of Sir Thomas Browne. This new edition of this seminal work, edited by Stephen Greenblatt and Peter G. Platt, features an adroitly modernized text, an essay in which Greenblatt discusses both the resemblances and real tensions between Montaigne’s and Shakespeare’s visions of the world, and Platt’s introduction to the life and times of the extraordinary Florio. Altogether, this book provides a remarkable new experience of not just two but three great writers who ushered in the modern world.

Four essays from Michel de Montaigne's "The Complete Essays."

An Apology for Raymond Sebond is widely regarded as the greatest of Montaigne's essays: a supremely eloquent expression of Christian scepticism. An empassioned defence of Sebond's fifteenth-century treatise on natural theology, it was inspired by the deep crisis of personal melancholy that followed the death of Montaigne's own father in 1568, and explores contemporary Christianity in prose that is witty and frequently damning. As he searches for the true meaning of faith, Montaigne is heavily critical of the arrogant tendency of mankind to create God in its own image, and offers his personal reflections on the true role of man, the need to eschew personal arrogance, and the vital importance of faith if we are to understand our place in the universe. Wise, perceptive and remarkably informed, this is one of the true masterpieces of the essay form.