Horace Walpole Knihy

Soubor prvních gotických románů, jimž dominuje Walpolův Otrantský zámek (1764). Příběh zasazený do středověké Itálie, v němž se ve zdech gotického hradu, v jeho podzemí i blízkém okolí naplňuje za pomoci nadpřirozených jevů záhadná věštba, že vláda v otrantském knížectví, až dozraje čas, přejde z moci nezákonného uchvatitele do rukou právoplatného dědice... Známé je též filmové zpracování J. Švankmajera. Uspořádal a předmluvu („Romány, ve kterých straší“) a doslov („Průkopníci gotického románu“) napsal Jaroslav Hornát.

Manfred, the lord of the castle of Otranto, has long lived in dread of an ancient prophecy: it's foretold that when his family line ends, the true owner of the castle will appear and claim it. In a desperate bid to keep the castle, Manfred plans to coerce a young woman named Isabella into marrying him. Isabella refuses to yield to Manfred's reprehensible plan. But once she escapes into the depths of the castle, it becomes clear that Manfred isn't the only threat. As Isabelle loses herself in the seemingly endless hallways below, voices reverberate from the walls and specters wander through the dungeons. Otranto appears to be alive, and it's seeking revenge for the sins of the past.

In a faraway medieval realm, Manfred, an arrogant and evil prince, rules with an iron fist. Banishing his wife to the castle dungeon, he confines — and plans to wed — the lovely Isabella, fiancée of his recently deceased son. The prince's plans are foiled, however, when a well-meaning peasant helps the young woman escape through the castle's underground passages. Grisly, supernatural events further aid in fulfilling a prophecy that spells doom for the prince and justice for Isabella's rescuer and rightful heir to the throne. One of the first and greatest of Gothic novels, this thrilling tale ranks among the most influential books in literary history. Serving as the model for plots, characterizations, settings, and tone for hundreds of successors, The Castle of Otranto abounds with colorful scenes, adventure, suspense, and inexplicable phenomena.

The story revolves around Manfred, who is devastated by the sudden death of his son on what should have been a joyous wedding day. This tragic event leads him to believe it marks the fulfillment of an ancient prophecy predicting his downfall, setting the stage for a tale of grief, foreboding, and the struggle against fate.

Set in medieval England, the story follows Sir Philip Harclay, who faces challenges from the nefarious Lord Lovel over his inherited estate. This Gothic novel is rich in mystery and supernatural elements. Alongside it, the edition includes Horace Walpole's The Castle of Otranto, the genre's pioneer, featuring Lord Manfred's tyrannical quest to maintain power amidst curses and supernatural events. This 1883 facsimile reprint preserves the original works, appealing to Gothic literature enthusiasts and those exploring the genre's history.

The narrative centers on Manfred, the lord of the castle, who faces turmoil when his son Conrad dies on the day of his wedding to Princess Isabella. Convinced that this tragedy signals the onset of a prophecy predicting his ruin, Manfred seeks to prevent his fate by planning to marry Isabella himself. As the princess escapes his grasp, Manfred's relentless pursuit unfolds, highlighting themes of ambition, desperation, and the supernatural forces at play in his life.

Set in a dark castle, this gripping play explores themes of incest, guilt, and the supernatural through the tragic tale of Countess Matilda. Caught in a web of deceit and forbidden desire, her story unfolds in an atmosphere of tension and moral conflict, making it a controversial yet compelling narrative.

Set in a medieval castle, this Gothic tale weaves a story of supernatural events, ominous prophecies, and tragic love. The narrative follows the fate of the noble family, exploring themes of power, fate, and the supernatural. The sixth edition maintains the integrity of the original 1791 text, offering readers a glimpse into early Gothic literature with its atmospheric settings and complex characters.

This collection features a diverse array of literature, spanning from ancient texts to modern classics. It pays homage to literary pioneers and includes well-known works by authors such as Shakespeare and Charlotte Brontë, alongside lesser-known treasures by Edith Wharton and James Fenimore Cooper. Aimed at celebrating the richness of literature, this series invites readers to explore a variety of voices and styles, showcasing the importance of both indie writers and established literary giants.

This book is a reproduction of a historical work, presented in large print to enhance accessibility for readers with impaired vision. The publishing house, Megali, focuses on making classic texts available in a format that supports those who may struggle with standard print sizes, ensuring that important literature remains accessible to all.

This collection showcases a diverse range of literature, spanning from ancient texts to contemporary classics. It pays homage to literary pioneers and legends, offering readers a chance to explore the works that have shaped the literary landscape. Each selection reflects the timeless nature of storytelling and the enduring impact of these influential authors.

Focusing on accessibility, this publishing house specializes in producing large print reproductions of historical works, catering specifically to individuals with impaired vision. By enhancing readability, it aims to make classic literature more inclusive and enjoyable for a wider audience.

Set in a Gothic backdrop, this story intertwines elements of mystery and romance within a castle setting. The narrative features themes of supernatural occurrences and dark secrets, typical of Gothic literature. This reprint preserves the original 1883 edition, offering readers a glimpse into the genre's early roots and its atmospheric storytelling. The book is a significant work that influenced later Gothic novels, showcasing the blend of horror and adventure that defines the genre.

Set against a backdrop of ancient Egypt, this collection of short stories intertwines gothic elements with mystical symbolism and Enlightenment satire. Walpole, a pioneer of 18th-century fiction, crafts intricate plots that explore the complexities of human nature through rich allegory and vivid imagery. Each tale invites readers to reflect on themes of mysticism and enlightenment, showcasing Walpole's innovative storytelling style. "Hieroglyphic Tales" not only captivates with fantasy and satire but also solidifies Walpole's legacy in gothic literature.

Focusing on accessibility, this book is a reproduction of a historical work presented in large print, catering specifically to readers with impaired vision. Published by Megali, a company dedicated to enhancing readability, it aims to preserve the original content while ensuring it is easily legible for a broader audience.

Focusing on accessibility, this publication by Megali aims to enhance the reading experience for individuals with impaired vision through large print reproductions of historical works. The commitment to making literature more accessible reflects a dedication to inclusivity in reading.

The narrative revolves around the sinister Manfred, whose ruthless ambitions threaten his family and their ancestral castle. As he navigates a web of secrets and supernatural events, the story unfolds with elements of forbidden romance and an atmosphere of horror and suspense, defining it as a pioneering gothic novel.

Manfred, Prince of Otranto, had one son and one daughter: the latter, a most beautiful virgin, aged eighteen, was called Matilda. Conrad, the son, was three years younger, a homely youth, sickly, and of no promising disposition; yet he was the darling of his father, who never showed any symptoms of affection to Matilda. Manfred had contracted a marriage for his son with the Marquis of Vicenza's daughter, Isabella; and she had already been delivered by her guardians into the hands of Manfred, that he might celebrate the wedding as soon as Conrad's infirm state of health would permit.

Die Burg von Otranto, in der englische Originalfassung: The Castle of Otranto, ist ein Roman des britischen Politikers und Schriftstellers Horace Walpole aus dem Jahr 1764. Walpole begründete damit die Romangattung des Schauerromans, im Englischen 'Gothic Novel', und beeinflusst die Literatur damit bis in unsere Zeit.

Horace Walpoles Kurzroman "The Castle of Otranto", der zuerst anonym als angebliche Übersetzung eines spätmittelalterlichen italienischen Manuskripts veröffentlicht wurde, prägt seit zweieinhalb Jahrhunderten die Romangeschichte und ist so zeitlos, dass er jede Lesergeneration wieder aufs Neue zu fesseln vermag. Gerühmt von literarischen Größen wie Walter Scott und Lord Byron, wurde dieser Prototyp des Schauerromans seit seiner Ersterscheinung im Jahre 1764 in mehr als 130 verschiedenen englischsprachigen Ausgaben veröffentlicht. Ins Deutsche wurde Otranto erstmals 1810 übersetzt, aber bis heute wurde dem kanonischen Roman bei uns nicht die ihm gebührende Aufmerksamkeit geschenkt. Mit dieser völlig neuen Übertragung des Heinrich-Maria-Ledig-Rowohlt-Übersetzerpreisträgers Hans Wolf erhält Walpoles Otranto jetzt endlich seinen wohlverdienten Ehrenplatz inmitten der übrigen Textura-Klassiker. In einem Nachwort reflektiert Norbert Miller den Stellenwert, der dem Werk in der Literaturgeschichte zukommt.

L’annotazione esplora il romanzo gotico, un genere caratterizzato da castelli lugubri, apparizioni spettrali, giovani eroine in pericolo, e figure minacciose come mostri e vampiri. Dall’opera di Horace Walpole nel 1764 fino a quella di Charles Robert Maturin nel 1820, il gotico non è solo un insieme di elementi spaventosi, ma riflette anche angosce e inquietudini contemporanee. Questa narrativa, con il suo "sublime del terrore", emerge come una reazione al predominio della ragione e del buon senso, rivelando una connessione sorprendente con le emozioni moderne. Attraverso i capolavori di autori come M.G. Lewis, Ann Radcliffe, Mary Shelley e John William Polidori, il lettore è invitato a percorrere i labirinti della paura, un elemento centrale della Gothic Fiction. Come sottolineato da D. Punter, la paura non è solo un tema, ma influisce anche su forma, stile e dinamiche sociali nei testi. L’esperienza di leggere questi romanzi diventa così un viaggio affascinante, dove il terrore si manifesta in modo caotico e trionfante sulla pagina scritta, offrendo un brivido di delizia al lettore.

Si suppone che gli avvenimenti si svolgano nel Duecento. Manfredo, signore di Otranto, nipote dell'usurpatore del regno che ha avvelenato Alfonso, il legittimo sovrano, vive sotto l'incubo di una profezia, secondo cui la stirpe dell'usurpatore continuerà a regnare, finché il legittimo sovrano non sia divenuto troppo grosso per abitare il castello e finché discendenti maschi dell'usurpatore lo occupino. Quando la profezia sembra avverarsi, Manfredo atterrito confessa il modo dell'usurpazione e si ritira in un monastero con la moglie. Il romanzo fu pubblicato nel 1764 e, nella prima edizione, era descritto come una versione dall'italiano.

Der Schauerroman spielt im mittelalterlichen Italien und erzählt von unheimlichen Ereignissen in einer alten Burg. Zentrale Themen sind Macht, Liebe und übernatürliche Elemente, die mit einer düsteren Atmosphäre und geheimnisvollen Charakteren verwoben sind. Die Geschichte entfaltet sich um die Tragödien und Intrigen einer adligen Familie, während unheilvolle Vorzeichen und übernatürliche Phänomene die Handlung vorantreiben. Walpole kombiniert Gothic-Elemente mit einer spannenden Erzählweise, die den Leser in eine Welt voller Geheimnisse und Schrecken entführt.

"Das Schloss von Otranto" gilt als eines der Erstlingswerke der Gothic Novel. Walpole erzählt die Geschichte eines Familienoberhauptes, das sich mehr um die Sicherstellung seiner Nachkommen kümmert als um seine reale Familie. Als sein Sohn unter mysteriösen Umständen ums Leben kommt, spinnt er einen ebenso raffinierten wie verderblichen Plan, um an dessen Braut zu kommen und ein Kind zu zeugen ...

Kniha obsahuje dve diela: Zámok Otranto (1764) od Horacea Walpolea a Vathek (1786) od Williama Beckforda. Obe diela sú ukážkami anglického gotického či lepšie hrôzostrašného románu z 18. storočia. V prvom, vo Walpolovom romantickom príbehu z Talianska, stáva sa čitateľ svedkom naplnenia dávneho proroctva, ktoré predpovedá pád kniežaťa Manfréda, tyrana a uzurpátora zámku Otranto. V Beckfordovom Vathekovi, ktorý vznikol v období rozkvetu tohto žánru, ožíva tajuplný Orient.