Glyn Maxwell je všestranný literární tvůrce, jehož dílo zahrnuje poezii, dramata, romány, operní libreta a filmové scénáře. Jeho poezie, často oceňovaná a zařazená mezi významná díla své generace, zkoumá složité lidské emoce a vztahy s pronikavým jazykem. V divadelní tvorbě prokázal Maxwell schopnost vytvářet působivá dramata inscenovaná v předních světových divadlech. Jeho libreta pro opery, často inspirovaná klasickými díly a současnými tématy, spojují silné texty s hudebním vyjádřením a dokazují jeho hluboké porozumění dramatické formě napříč žánry.
Celebrated as a leading poet of his generation, this collection showcases the finest works of Maxwell, offering readers insight into his poetic mastery and potential future contributions. It serves as a testament to his impact on contemporary poetry, highlighting themes and styles that define his unique voice.
'The most compelling, original, charismatic and poetic guide to poetry that I can remember. A handbook written from the heart by one of the true modern masters of the craft.' Simon Armitage A collection of short essays and reflections on poetry from the acclaimed British poet Glyn Maxwell. These essays illustrate Maxwell's poetic philosophy, that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities – breath, heartbeat, footstep, posture. He speaks of his inspirations, his models, and takes us inside the strange world of the Creative Writing Class, where four young hopefuls grapple with love, sex, cheap wine and hard work. With examples from canonical poets, this is a beautiful, accessible guide to the most ancient and sublime of the realms of literature.
The brilliant new collection from a major voice in contemporary poetry
Britain is reeling from reports of a terrorist bomb on a film set that has killed a hundred people and, possibly, the brightest star in Hollywood, Thomas Bayne. Caught up in the middle of the national mourning is Susan Mantle - a rather hopeless London tour-guide - who is seen crying on a park bench and is taken up by the media as a symbol of the blitz spirit, appearing on the rolling news with the headline 'beautiful but crying'. She is crying, though, for other reasons: she's just been told by a clairvoyant that she is about to die. Reason and the real world are quickly relinquished as Susan is swept into a media maelstrom, becoming the baffled and increasingly unwilling star of reality TV. Buffeted by the demands of her new public, and her private terrors about her own mortality, Susan starts to lose control of everything.