John Belton Knihy

Offering a fresh examination of Rear Window, this volume explores the film from multiple perspectives, delving into its themes, character dynamics, and cinematic techniques. It invites readers to consider the narrative's complexities and its impact on the thriller genre, while also analyzing its cultural significance and the psychological implications of voyeurism presented in the story. This comprehensive analysis enriches the understanding of the film's artistry and its enduring relevance in cinema history.

The only comprehensive book on film sound, this anthology makes available for the first time and in a single volume major essays by the most respected film historians, aestheticians, and theorists of the past sixty years.

Ideal for Introduction to American Cinema courses, American Film History courses, and Introductory Film Appreciation courses focused on American Film, this text offers a cultural examination of the American movie-making industry, with particular attention paid to the economic and aesthetic institution of Hollywood.

The formation of the United Grand Lodge of England in 1813 involved intricate negotiations among various masonic orders, including the Royal Arch and Knights Templar, reflecting a broader Irish and Scottish context. This account offers a comprehensive overview of the key issues and influential figures involved in this significant event in masonic history, revealing its lasting impact on contemporary Freemasonry.

The book explores the groundbreaking introduction of Cinerama, a revolutionary cinematic experience that began on September 30, 1952, at New York's Broadway Theatre. It delves into the complexities and evolution of this innovative format, highlighting how the initial excitement of a panoramic Technicolor presentation, exemplified by the Rockaways Playland Atom-Smasher Roller Coaster, marked a significant transformation in film history. The narrative uncovers the intricacies behind this cinematic shift, revealing that it was a gradual process rather than an instantaneous change.

On how American identity is shaped by motion pictures