Exploring the intersection of a Japanese new religion within a predominantly Christian setting in Kinshasa, this ethnographic study provides a localized view of religious globalization. It emphasizes an aesthetic approach, highlighting the significance of religious objects and spiritual practices in shaping cultural dynamics. The work delves into the complexities surrounding non-Christian minorities, addressing societal fears and suspicions related to "magic" and "occult sciences" while revealing the intricate politics of religious identity and difference.
