Léonora Miano Pořadí knih

A searing novel exploring the construction of masculinity in sub-Saharan Africa. After beating his girlfriend and leaving her for dead on the street, Amok retraces his steps. Frightened by his act, which reproduces the violence of his father, he hopes to save the woman. But it is too late when he arrives at the scene; two women are already carrying the injured woman. Overwhelmed and not daring to reveal himself, he decides to find his father in order to learn how to rid himself of the dark force that he believes runs through the men of his lineage. He embarks on a journey that will be, more than anything, an inner one, forcing him to understand his story and choose a healthier way of being in the world. This second volume of Twilight of Torment is both intimate and political. Through the story of a man and his family, we discover an African bourgeoisie and its many social wanderings in a contemporary Africa whose future seems nebulous.

A haunting, multivocal novel full of stories of the lives of women of African descent. Four women speak. They speak to the same man, who is not there. He is the son of the first, the great-yet-impossible love of the second, the platonic companion of the third, the older brother of the last. Speaking to him in his absence, it is to themselves that these women turn, examining their own stories to make sense of their journey, from twilight to twilight, through a mysterious stormy night in the middle of the dry season. Together, the voices in Twilight of Torment: Melancholy, the first volume of a two-volume novel, perform a powerful and sometimes discordant jazz-inspired chorus about issues such as femininity, sexuality, self-love and the intrusion of history into the intimate lives of people of African descent. Blackness confronts African-ness, love is sometimes discovered in the arms of another woman, the African renaissance tries to establish itself on the rubble of a self-esteem damaged by history. Each of these women, with her own language and rhythm, ultimately represents a specific aspect of the tormented history of Africans in today's world, and at the end of the night they will each arrive at a dawn of hope.

Wie kann eine weltweite Solidarität unter Frauen aussehen? Und was lehrt uns die Geschichte der Frauen aus der Subsahara? Léonora Miano zeigt anhand der Mythen und sozialen Praktiken, wie die Subsahara-Frauen über patriarchalische Gesellschaften herrschten, sexuelle Lust zu einem Recht machten und sich in antikolonialen Kämpfen engagierten. Der reiche, vielfältige Erfahrungsschatz der Afrikanerinnen bleibt in der globalen Feminismus-Geschichte jedoch marginalisiert. Würden sich die Frauen Europas und Afrikas zu einer neuen Solidarität vereinen und voneinander lernen, statt immer nur die männliche Dominanz zu beklagen, wäre der Feminismus einen entscheidenden Schritt weiter. Mianos Buch ist ein leidenschaftliches Plädoyer für eine neue weltweite Schwesternschaft und eine faszinierende Reise zu den Ursprüngen eines anderen Feminismus.

Now in paperback, a brutal and dreamlike story about the first victims of the transatlantic slave trade. This powerful novel presents the early days of the transatlantic slave trade from a new perspective: that of the sub-Saharan population that became its first victims. Cameroonian novelist Léonora Miano presents a world on the brink of disappearing--a pre-colonial civilization with roots that stretch back for centuries. One day, a group of villagers finds twelve of their people missing. Where have they gone? Who is responsible? A collective dream, troubling a group of mothers in a communal dwelling, may have some of the answers, as the women's missing sons call to them in terror; at the same time, a thick shadow settles over the huts, blocking out the light of day. It is the shadow of slavery, which will soon grow to blight the whole world. Miano renders this brutal story in deliberately strange, dreamlike prose, befitting a situation that is, on its face, all but impossible for the villagers to believe.

Amok, vu par le regard extérieur de quatre femmes au premier tome, apparaît dans son intériorité, sa vérité, sa fragilité et sa complexité. Ayant battu sa compagne, qu'il laisse pour morte, horrifié, il fuit et est victime d'un accident qui le laisse inconscient. Il est alors confronté à ses relations, féminines et masculines, vivantes et mortes, familiales et amicales, et à ses vieux démons.

L'un est âgé de neuf ans. C'est encore un enfant. Pourtant, il comprend : la misère, la solitude et la relégation sociale de sa mère, diplômée en lettres mais condamnée à n'être qu'une voix répondant au téléphone. L'autre est un jeune footballeur prometteur. Il a quitté sa ville natale - Douala - et les siens pour réussir en France. De l'Hexagone, il ne connaît pas les vertes pelouses, seulement la rue et l'exclusion. Et puis, derrière la porte noire du 166, rue de C., il y a Amélie, Sophie, Maya et les autres. On ignore leur présence. Elles vivent à Paris, dans un centre d'hébergement d'urgence. Par touches successives, ces récits dessinent les visages de celles et ceux que l'on croise sans les voir. Levant le voile sur leurs parcours, ils les sauvent de l'oubli. Le volume réunit cinq nouvelles inédites de Léonora Miano, lauréate du Goncourt des Lycéens 2006. Le dossier de l'édition contient un entretien exclusif avec l'auteure.