Laura Freeman Knihy

Detective Sydney Harrison faces a complex investigation when the police shooting of an armed robber reveals inconsistencies. As she delves deeper, she encounters Claire, a drug-addicted woman whose life unraveled after a fateful encounter in an alley. Desperate to evade capture, Claire is determined to eliminate any loose ends, even if it means further violence. The story unfolds as a tense cat-and-mouse game, exploring themes of desperation, morality, and the lengths one will go to for survival.

The publication offers a fresh examination of twentieth-century British art, challenging established narratives and exploring themes such as British Surrealism, patronage, and identity. Experts provide new insights that encourage readers to reconsider the connections between art and cultural history. Accompanied by striking visuals, it highlights the resilience of the British artistic tradition while prompting a deeper exploration of its evolution and significance in contemporary society.

Emily Stevenson stumbles upon a body in the canal while dealing with a messy situation, discovering the victim is linked to her co-worker's unfaithful spouse. As she navigates her desire to protect her friend from reconciliation, she becomes embroiled in a complex web of deceit. Meanwhile, Officer Travis O'Toole, aspiring to be a detective, finds himself both distracted and intrigued by Emily, realizing that her involvement may be more beneficial than obstructive as they tackle the unfolding mystery together.

Jim Ede was a man of extraordinary energies: a collector, dealer, fixer, critic and, above all, friend to artists. For Ede, works of art were friends and art could be found wherever you looked. Art was not for galleries alone and it certainly wasn't only for the rich. At Kettle's Yard in Cambridge, he opened his home and his collection to all comers