Matthew Engel Knihy

Are we tired of hearing that fall is a season, sick of being offered fries and told about the latest movie? Yeah. Have we noticed the sly interpolation of Americanisms into our everyday speech? You betcha. And are we outraged? Hell, yes. But do we do anything? Too much hassle. Until now.In That's The Way It Crumbles Matthew Engel presents a call to arms against the linguistic impoverishment that happens when one language dominates another. With dismay and wry amusement, he traces the American invasion of our language from the early days of the New World, via the influence of Edison, the dance hall and the talkies, right up to the Apple and Microsoft-dominated present day, and explores the fate of other languages trying to fend off linguistic takeover bids. It is not the Americans' fault, more the result of their talent for innovation and our own indifference.He explains how America's cultural supremacy affects British gestures, celebrations and way of life, and how every paragraph and conversation includes words the British no longer even think of as Americanisms. Part battle cry, part love song, part elegy, this book celebrates the strange, the banal, the precious and the endangered parts of our uncommon common language.

The last two decades have seen a civil war inside MCC over the future of Lord's, though the club's membership have largely been kept in the dark. On the one side, the MCC establishment; on the other, the property developer Charles Rifkind, who bought the rights to develop the railway tunnels under the ground's Nursery End from under the noses of MCC. Rifkind's audacious purchase led to two decades of frustration, as MCC rebuffed his attempts to bring the 'Home of Cricket' into the twenty-first century. It is a saga that saw the cricketing establishment take sides in an increasingly acrimonious conflict, which played out in furious debates behind the closed Grace Gates. With a cast list that includes a former prime minister, several England Test captains, leaders of finance and industry and committed agitators amongst the MCC membership, The Covers Are Off reveals a bitter struggle between the guardians of tradition and a new order intent on change.