Carl Van Vechten Pořadí knih (chronologicky)

Firecrackers: A Realistic Novel (1925) is a novel by Carl Van Vechten. Published in the same year as F. Scott Fitzgerald's The Great Gatsby and Anita Loos' Gentlemen Prefer Blondes, Van Vechten's novel has been recognized as an important document of the Jazz Age, a decade of bohemian excess and artistic experimentation that changed the shape of American and European culture. "You must think of a group of people in terms of a packet of firecrackers. You ignite the first cracker and the flash fires the fuse of the second, and so on, until, after a series of crackling detonations, the whole bunch has exploded, and nothing survives but a few torn and scattered bits of paper, blackened with powder." In Van Vechten's novel, an explosive group of friends welcomes a handsome young man into their midst. Gunnar O'Grady, an athlete and a jack of all trades, soon becomes an object of obsession for men and women alike. As he tries to satisfy their needs and desires while working to support himself, he begins to question the meaning of friendship itself. Firecrackers: A Realistic Novel, Van Vechten's fourth novel, is a fascinating work of fiction from a man who was always one step ahead of the rest. With a beautifully designed cover and professionally typeset manuscript, this edition of Carl Van Vechten's Firecrackers: A Realistic Novel is a classic of American literature reimagined for modern readers.

Carl van Vechtens Roman "Parties" ist das Memento Mori der "Roaring Twenties", das den Kater nach den Exzessen und den Verfall des Festes thematisiert. Die Protagonisten taumeln durch ein trunkenes New York, während die Party längst vorbei ist. Exklusive Illustrationen von Maurice Vellekoop bereichern die Ausgabe.

A startling record of the Jazz Age through the eyes of one of its memorable figures Between 1922 and 1930, Carl Van Vechten--one of the most significant figures of the Harlem Renaissance--kept a daily record of his activities. The records recount his day-to-day life, as well as the alliances, drinking habits, feuds, and affairs of a wide number of the period's luminaries, providing a rich resource for reconstructing the culture of 1920s New York and the social milieu during Prohibition. Bruce Kellner has provided copious informative notes identifying central figures and clarifying details.

Opening on a scene of tawdry sensationalism, this novel shifts decisively to a world of black middle-class respectability, defined by intellectual values, professional ambition, and an acute consciousness of class and racial identity.

"This collection, a retrospective exhibit of the work of a woman who created a unique place for herself in the world of letters, contains a sample of practically every period and every manner in Gertrude Stein's career. It includes The Autobiography of Alice B. Toklas in its entirety; selected passages from The Making of Americans; "Melanctha"from Three Lives; portraits of the painters Cezanne, Matisse, and Picasso; Tender Buttons; the opera Four Saints in Three Acts; and poem, plays, lectures, articles, sketches, and a generous portion of her famous book on the Occupation of France, Wars I Have Seen.