The book delves into how the cultural trauma of slavery has shaped African American identity. Ron Eyerman examines the historical and social contexts that contribute to this identity formation, highlighting the lasting impact of slavery on contemporary African American culture and consciousness. Through a nuanced analysis, he addresses themes of memory, resilience, and the ongoing struggle for identity within the African American community.
Ron Eyerman Knihy



An account of the emergence and development of white consciousness throughout American history.In The Making of White American Identity , Ron Eyerman provides an explanation for how whiteness has become a basis for collective identification and collective action in the United States. Drawing upon his previous work on the formation of African American identity, as well as cultural trauma theory, collective memory, and social movements, he reveals how and under what conditions such a collective identification emerges, as well as how the mobilization of collective action around an ideology of whiteness and white superiority. Eyerman explores how the American identity was, and is still being established, through both historical and more recent events, including the Civil War, the Civil Rights movement, the election of a Black president, the Charlottesville confrontation, and the violent conflict at the Capitol on January 6, 2021. He further shows how each event revitalized the trauma narratives stemming from the nation's founding tensions, mobilizing social forces around the idea ofwhite superiority and white consciousness. Tracing the historical contexts and social conditions under which individuals and groups move through this process, the author also looks forward at the prospects of the ideology of white supremacy as a political force in the United States.
Vietnam, A War, Not a Country
- 360 stránek
- 13 hodin čtení
Vietnam: A War, Not a Countryexplores the conflicting ways in which the American-Vietnamese War has been collectively remembered and represented from the perspective of the war's three primary belligerents: the Vietnamese communists, the South Vietnamese, and the Americans. The book examines how the three different collectives memorialize this traumatizing historical event. Within each of these three groups there exists a number of competing narratives, generating not only a sense of shared meaning and community, but also impassioned social conflict. In order to trace these narratives within each collectivity, the authors develop the concept of arenas of memory, distinct discourses that are tied to specific individuals, organizations, and institutions that advocate specific narratives through specific forms of media. Their analysis leads them to make the case as to whether each of these societies experienced a cultural trauma as a result of the way in which the war is remembered.