Celebrating the dynamic Constructivist art made and exhibited in Britain over a seventy-year period, this book brings together constructed reliefs and sculpture, kinetic and participatory art, painting and printmaking.
Stacking as sculptural procedure across five decades of Cragg’s art This career-spanning publication focuses on the history of Tony Cragg’s (born 1949) Stack works that began in the late 1960s, when, as a student, he began piling up miscellaneous and recycled detritus from the studio in order to create large rectilinear sculptures that refuted the usual clean lines of minimalism.
Heinrich Bullinger’s End-Times Agenda