Charles Beadle Knihy

Set in the vibrant Parisian demimonde of the late 1930s, the novel features thinly veiled portrayals of notable figures such as Modigliani and Max Jacob. Despite its lyrical beauty and literary merit, it has remained largely unrecognized since its publication. Dark Refuge delves into the complexities of its characters' lives, capturing the essence of an era marked by artistic brilliance and personal struggles.

The book is a culturally significant reproduction of an original artifact, preserving its historical integrity and authenticity. It includes original copyright references and library stamps, reflecting its importance in the knowledge base of civilization. Scholars have recognized this work for its value, ensuring that readers can engage with the text as it was originally presented, complete with its historical notations.

Set in a colonial station in the southeastern corner of Victoria Nyanza, the narrative vividly depicts the stark contrast between the mud huts of the askaris and the more opulent quarters of the white officers. The scene unfolds with a military precision, showcasing the daily rituals of the station, including the commanding presence of Herr Ober-Lieutenant Hermann von Schnitzler und zu Pfeiffer. The imagery of the sunrise and the flag-raising ceremony adds a dramatic backdrop to the tensions and hierarchies of colonial life.

Set against the backdrop of early 20th-century colonial Africa, this collection features seven vintage short stories and novelettes that capture the adventurous spirit of the time. The author, drawing from personal experiences, brings authenticity to the vivid narratives published in pulp magazines between 1918 and 1925. A comprehensive 7000-word introduction provides insight into the historical context and the intriguing life of the author, enriching the reader's understanding of these entertaining tales.

What were Montmartre and Montparnasse really like in their hey-day roughtly between 1904, when the youthful Picasso had just arrived on the Hill of Martyrs, and 1920, when Amedeo Modigliani , justly called `the prince of Bohemians', died of consumption and dissipation in Montparnasse?