Ronald E. Day Knihy

"Meet Frederick Madrigal: the seventh son of a struggling woman on welfare who already had three sets of male twins spaced two years apart. A one-time child prodigy, Frederick was the subject of the benevolent index finger of God. While his older brothers ran wild, the sensitive and musically gifted Frederick began to sneak out of the house to sing for spare change in front of city bars and nightclubs, his repertoire learned from his mother's secret midnight singing. Through the intervention of a number of well intentioned benefactors, he ends up in a church choir, and from there, at the age of twelve, is drafted into a choir school in Toronto. He's happy to go, and leaves his mother and brothers behind without a thought. But just after his eighteenth birthday, in public, Everything Crashes Down, and in another miraculous escape, he chooses against his musical destiny. In mid-life, Frederick is deliverer of Canada Post mail; teacher of Voice; keeper of secrets; caretaker of his demented mother; lousy with dates. Still, it appears that everything is more or less satisfactory and under control ... until God once again starts pointing--but this time He seems a little cranky. The Madrigal is a work of literary fiction that explores the experience of solitude, the meaning of extraordinary talent, and the role of memory throughout our lives. Rather than a coming of age story, it is a "coming to terms story," as Frederick must let go of the unfulfilled expectations of his childhood and find deliverance from the tragic end-of-childhood events he believes he carries responsibility for. In doing so, Frederick brings a unique twist to a timeless journey of self-forgiveness and relationships with other."-- Provided by publisher

A critical history of the modern tradition of documentation, tracing the representation of individuals and groups in the form of documents, information, and data.

"In this book, Ronald Day offers a historical-conceptual account of how something becomes evident. Crossing philosophical ontology with documentary ontology, Day investigates the different genres, technologies, modes of inscription, and innate powers of expression by which something comes into presence and makes itself evident. He calls this philosophy of evidence documentarity, and it is through this theoretical lens that he examines documentary evidence (and documentation) within the tradition of Western philosophy, largely understood as representational in its epistemology, ontology, aesthetics, and politics. Day discusses the expression of beings or entities as evidence of what exists through a range of categories and modes, from Plato's notion that ideas are universal types expressed in evidential particulars to the representation of powerful particulars in social media and machine learning algorithms. He considers, among other topics, the contrast between positivist and anthropological documentation traditions; the ontological and epistemological importance of the documentary index; the nineteenth-century French novel's documentary realism and the avant-garde's critique of representation; performative literary genres; expression as a form of self evidence; and the “post-documentation” technologies of social media and machine learning, described as a posteriori, real-time technologies of documentation. Ultimately, the representational means are not only information and knowledge technologies but technologies of judgment, judging entities both descriptively and prescriptively."-- Provided by publisher