Jukio Mišima Pořadí knih (chronologicky)

In Yukio Mishimas Roman steht die Liebe zwischen dem Seemann Ryuji und der Witwe Fusako im Mittelpunkt, die den Sohn Noboru in ein emotionales Dilemma stürzt. Fasziniert von Ryuji, fühlt sich Noboru betrogen, als dieser sich für die Ehe entscheidet. Der Roman thematisiert den Konflikt zwischen Idealbildern und der harten Realität.

A beautiful hardback edition of a great Japanese classic, beautiful, lyrical and deeply ominous.A band of savage thirteen-year-old boys reject the adult world as illusory, hypocritical, and sentimental, and train themselves in a brutal callousness they call 'objectivity'. When the mother of one of them begins an affair with a ship's officer, he and his friends idealise the man at first; but it is not long before they conclude that he is in fact soft and romantic.They regard this disillusionment as an act of betrayal on his part - and the retribution is deliberate and horrifying.'Mishima's greatest novel, and one of the greatest of the past century' The TimesVINTAGE QUARTERBOUND CLASSICS: Bound to be beautiful

The Osugi family have come to a realization. Each of them hails from a different planet. Father from Mars, mother from Jupiter, son from Mercury and daughter from Venus. Already seen as oddballs in their small Japanese town in the 1960s, this extra-terrestrial knowledge brings them closer together; they climb mountains to wait for UFOs, study at home together and regard their human neighbours with a kindly benevolence. But Father, Juichiro, is worried about the bomb. He writes letters to Khrushchev, trying to warn everyone he can of the terrible threat. After all, humans may be terribly flawed, but aren't they worth saving? He sends out a coded message in the newspaper to find other aliens. But there are other extra-terrestrials out there, ones who do not look so kindly on the flaws and foibles of humans. And a charming young man, who claims to be from Venus too, tempts daughter Akiko away from the family . . .

A great, ancient art form, brought right up to date by one of Japan's foremost writers

二・二六事件で逆賊と断じられた親友を討たねばならぬ懊悩に、武山中尉は自刃を決意する。夫の覚悟に添う夫人との濃厚極まる情交と壮絶な最期を描く、エロスと死の真骨頂「憂国」。16歳の実質的デビュー作「花ざかりの森」、著者の生涯にわたる文学的テーマを内包した「中世に於ける一殺人常習者の遺せる哲学的日記の抜萃」等13編。多彩な魅力の自選短編集。

Po neúspěšném pokusu o sebevraždu mladý úředník Hanio Jamada nabídne svůj život na prodej formou inzerátu v tokijském bulvárním deníku. Brzy se začínají ozývat různí zájemci se stále bizarnějšími nabídkami. Jak se sluší a patří pro četbu na pokračování, Mišima na rozdíl od zdlouhavých ušlechtilých úvah, které používá ve svých „seriózních“ románech, napsal tuto novelu formou rychlého sledu krátkých kapitol, ve kterých se hlavní hrdina dostává do řady absurdních situací s atmosférou, která snese srovnání s Tarantinovým filmem „Pulp Fiction“. Jedná se o groteskní až surrealistický příběh plný pitoreskních postav, ve kterém Mišima využívá satiru a černý humor ke zkoumání některých témat, která ho zaměstnávala v jeho tvorbě po celý život: smrti, krásy a erotiky. Původně byla novela Život na prodej (Inoči urimasu) v roce 1968, tedy jen dva roky před autorovou šokující sebevraždou, publikována na pokračování v časopisu Playboy Šúkan. V prosinci téhož roku byla vydána jako kniha.

A haunting novella of fame and disillusionment by a Japanese literary iconAll eyes are upon Rikio. And he likes it, mostly. His fans cheer from a roped-off section, screaming and yelling to attract his attention. They would kill for a moment alone with him. Finally the director sets up the shot, the camera begins to roll, someone yells "action"; Rikio, for a moment, transforms into another being, a hardened young yakuza, but as soon as the shot is finished, he slumps back into his own anxieties and obsessions.Written shortly after Yukio Mishima himself had acted in the film Afraid to Die, this novella is a rich and unflinching psychological portrait of a celebrity coming apart at the seams as the absurdity of his existence comes sharply into focus. With exquisite, vivid prose, Star begs the question: is there ever any escape from how we are seen by others?