Christopher Janaway Knihy

With the publication of Parerga and Paralipomena in 1851, there finally came some measure of the fame that Schopenhauer thought was his due. Described by Schopenhauer himself as 'incomparably more popular than everything up till now', Parerga is a miscellany of essays addressing themes that complement his work The World as Will and Representation, along with more divergent, speculative pieces. It includes essays on method, logic, the intellect, Kant, pantheism, natural science, religion, education, and language. The present volume offers a new translation, a substantial introduction explaining the context of the essays, and extensive editorial notes on the different published versions of the work. This readable and scholarly edition will be an essential reference for those studying Schopenhauer, the history of philosophy, and nineteenth-century German philosophy.

With the publication of the Parerga and Paralipomena in 1851, there finally came some measure of the fame that Schopenhauer thought was his due. Described by Schopenhauer himself as 'incomparably more popular than everything up till now', the Parerga is a miscellany of essays addressing themes that complement his work The World as Will and Representation, along with more divergent, speculative pieces. It includes his 'Aphorisms on the Wisdom of Life', reflections on fate and clairvoyance, trenchant views on the philosophers and universities of his day, and an enlightening survey of the history of philosophy. The present volume offers a new translation, a substantial introduction explaining the context of the essays, and extensive editorial notes on the different published versions of the work. This readable and scholarly edition will be an essential reference for those studying Schopenhauer, the history of philosophy, and nineteenth-century German philosophy.

Arthur Schopenhauer is the most readable of German philosophers. This book offers a succinct explanation of his metaphysical system, concentrating on the original aspects of thought, including his doctrine of the will, his pessimism and his theories of art and music - which inspired artists and thinkers such as Nietzsche, Wagner, Freud and Wittgenstein. At his best, Schopenhauer displays a gift for cogent and lucid debate, and for exposing the flaws of his predecessors. But what should also earn readers' respect is Schopenhauer's lack of complacency. He does not play safe, but risks confrontation with problems that ought to make readers insecure. He asks what the self is, and can give no easy reply. He presses on into the greatest insecurity, asking what value one's existence may have - and his conclusion here is even less comfortable. -- from http://www.amazon.com (August 22, 2011)

"Philosophy is intriguing even to those who know little of it. But the sort of philosophy studied at universities is difficult to enter into on one's own. Reading Philosophy was designed to overcome this difficulty. It is a book for those who want genuinely to engage with the subject, either on their own or in the context of taught introductory courses"-- Provided by publisher

Błyskotliwe wprowadzenia w prace kluczowych filozofów i najważniejsze idee filozofii. Autorami poszczególnych tomów serii, wydanej w oryginale przez Oxford University Press, są wybitni specjaliści prezentowanych obszarów. Arthur Schopenhauer – główny przedstawiciel pesymizmu filozoficznego; autor koncepcji, w której główną zasada metafizyczną jest wola. Przeciwnik Hegla. Tworząc swoją teorię, inspirował się buddyzmem. Wprowadził pojęcie nieświadomości, zapowiadając myśl Freuda. Wywarł ogromny wpływ na kulturę i sztukę XIX i XX wieku, inspirując między innymi Nietzschego, Wagnera, Tołstoja i Becketta.