Russell Banks se ve své tvorbě zaměřuje na životy obyčejných lidí a jejich boj s nepřízní osudu. Jeho romány často zkoumají témata viny, vykoupení a hledání identity v Americe. Banks mistrně zachycuje syrovou realitu a komplexní psychologii svých postav, čímž vytváří hluboce působivá a znepokojivá díla.
Wade Whitehouse is an improbable protagonist for a tragedy. A well-digger and policeman in a bleak New Hampshire town, he is a former high-school star gone to beer fat, a loner with a mean streak. It is a mark of Russell Banks' artistry and understanding that Wade comes to loom in one's mind as a blue-collar American Everyman afflicted by the dark secret of the macho tradition. Told by his articulate, equally scarred younger brother, Wade's story becomes as spellbinding and inexorable as a fuse burning its way to the dynamite.
The cover of Russell Banks's mountain-sized novel features a photo of Owen Brown, son of John Brown, the controversial figure behind the violent abolitionist actions in Kansas and the Harpers Ferry raid of 1859. This deeply researched yet fictionalized narrative is told by Owen, who, despite being an atheist, is profoundly influenced by his father's fervent beliefs and mission. The novel chronicles John Brown's journey from his cabin near the Adirondacks to the perilous routes of the Underground Railroad, culminating in the violent confrontations in Bloody Kansas and the revolt at Harpers Ferry. Along the way, we encounter notable figures like Frederick Douglass and Ralph Waldo Emerson, but the focus remains on Owen's obsessive reflections on his father's crusade and the emotional burdens placed on their family. Banks, a white author, addresses themes of race with the same depth as Toni Morrison, yet this work departs from his usual style. After extensive research, he adopts a voice influenced by the King James Bible and 19th-century political rhetoric, creating a tone reminiscent of Ken Burns's documentary style. While some readers may prefer Banks's more modern approach, this novel's sober style reflects the historical weight of its subject, inviting readers to grapple with the complexities of John Brown's character and legacy.
Hannah Musgrave is on the run: from her adoring parents, her many lovers, even from herself. As a young woman she worked for a Boston terrorist group which has put her on the FBI's most wanted list, forcing her to flee to Liberia in West Africa. There she marries an ambitious young politician and settles down. But Hannah can never quite bridge the differences between herself and her African husband. Liberia is a country on the verge of explosion and the threat of civil war is ever present. The violent events that follow touch everyone close to Hannah and, once again, she has to flee. This time, though, the past won't disappear.
This collection features new stories that explore the intricate dynamics of modern American families, showcasing Russell Banks' keen insight and storytelling prowess. Known for his acclaimed works, Banks delves into the emotional landscapes and challenges faced by families today, offering a poignant and thought-provoking examination of relationships and identity. Each narrative reveals the complexities of familial bonds, making this a compelling read for those interested in contemporary life and human connections.
Originally published by Harper in 1985 to great acclaim, "Continental Drift" is an American masterpiece about innocence and evil by one of the most important novelists writing today.
When we first meet him, Chappie is a punked-out teenager living with his mother and abusive stepfather in an upstate New York trailer park. During this time, he slips into drugs and petty crime. Rejected by his parents, out of school and in trouble with the police, he claims for himself a new identity as a permanent outsider; he gets a crossed-bones tattoo on his arm, and takes the name "Bone." He finds dangerous refuge with a group of biker-thieves, and then hides in the boarded-up summer house of a professor and his wife. He finally settles in an abandoned schoolbus with Rose, a child he rescues from a fast-talking pedophile. There Bone meets I-Man, an exiled Rastafarian, and together they begin a second adventure that takes the reader from Middle America to the ganja-growing mountains of Jamaica. It is an amazing journey of self-discovery through a world of magic, violence, betrayal and redemption.
Exploring themes of origins, values, and national contradictions, Russell Banks engages with contemporary politics and culture through a reflective lens. His writing combines conversational style with emotional depth, incorporating insights from literature, film, and American history to examine the complexities of the American experience.
"In 1971, a property speculator named Harley Mann begins recording his life story onto a reel-to-reel machine. Reflecting on his childhood in the early 20th century, Harley recounts that after his father's sudden death, his family migrated down to Florida-mere miles away from what would become Disney World-to join a community of Shakers. Led by Elder John, a generous man with a mysterious past, the colony devoted itself to labor, faith, and charity, rejecting all temptations that lay beyond the property. Though this initially saved Harley and his family from complete ruin, when Harley began falling in love with Sadie Pratt, a consumptive patient who lived on the grounds, his loyalty to the Shakers and their conservative worldview grew strained and, ultimately, broke. As Harley dictates his story across more than half-a-century, the truth about Sadie, Elder John, and the Shakers comes to light, clarifying the past into a world we recognize today"-- Provided by publisher
On probation after doing time for a liaison with an under-age girl, the Kid is forbidden to live within 2500 feet of anywhere children might gather. Enter the Professor. The two men forge a tentative partnership, but then the Professor's past resurfaces and threatens to destroy his carefully constructed world.
Utilizing a unique seventeenth-century form, this fictional work reflects the experiences of imprisoned Puritan divines, aiming to illustrate the trials of faith faced by believers. The narrative, framed by scripture and sermons, captures the sincere yet artificial recounting of suffering meant for an audience outside prison walls. Russell Banks employs this form not to mock but to engage thoughtfully with its underlying mindset, seeking to understand and appreciate its complexities.
At the centre of Foregone is famed Canadian American leftist documentary filmmaker Leonard Fife, one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Fife, now in his late seventies, is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologise his mythologised life.
From one of America’s most celebrated storytellers come three dark,
interlocking tales about the residents of a rural New York town, and the
shocking headlines that become their local mythologies.
À cinquante-neuf ans, Hannah Musgrave se remémore son parcours de jeune Américaine issue d'une bourgeoisie de gauche, qui, dans les années 1970, s'est retrouvée à se "planquer" en Afrique. Après avoir tenté sa chance au Liberia, elle a travaillé dans un laboratoire où des chimpanzés servaient de cobayes pour des expériences sur le virus de l'hépatite, au service de sociétés pharmaceutiques américaines. Elle a rapidement rencontré et épousé le Dr Woodrow Sundiata, un bureaucrate local d'une tribu influente, promis à une carrière politique brillante. Cependant, quelques années plus tard, elle est rentrée précipitamment en Amérique, laissant derrière elle leurs trois enfants, fuyant la guerre civile qui ravageait le pays. Au début de l'histoire, Hannah quitte sa ferme "écologique" des Adirondacks, poussée par son passé non résolu à retourner en Afrique. Ce récit évoque une période tumultueuse de l'histoire américaine et le destin méconnu du Liberia. La force exceptionnelle de ce roman réside dans la complexité de son héroïne, qui incarne à la fois la quête d'identité et la mauvaise conscience d'une Américaine gâtée, à travers ses mensonges, aveux, erreurs et repentirs. Hannah Musgrave se révèle être l'une des créations les plus fascinantes de cet écrivain américain.
L’une des choses les plus difficiles à dire à quelqu’un est celle-ci : j’espère que vous m’aimerez sans raison particulière. C’est pourtant ce que nous voulons tous dire les uns aux autres — à nos enfants, à nos parents, à nos compagnons, à nos amis et à des inconnus — en ne l’osant que rarement. Peut-être même surtout à des inconnus qui n’ont ni de bonnes, ni de mauvaises raisons de nous aimer. C’est pour cela que nous échangeons des histoires en priant que cet ange sur le toit les transforme au cours de la narration, qu’elles deviennent crédibles et parlent de nous tous, qui que nous soyons les uns pour les autres.
L'existence d'une bourgade au nord de l'Etat de New York a été bouleversée par l'accident d'un bus de ramassage scolaire, dans lequel ont péri de nombreux enfants du lieu. Les réactions de la petite communauté sont rapportées par les récits de quatre acteurs principaux. Il y a d'abord Dolorès Driscoll, la conductrice du bus scolaire accidenté, femme solide et généreuse, choquée par cette catastrophe. Vient Billy Ansel, le père inconsolable de deux des enfants morts. Ensuite, Mitchell Stephens, un avocat new-yorkais poursuivant avec une hargne passionnée les éventuels responsables de l'accident. Et enfin Nicole Burnell, adolescente promise à tous les succès, qui a perdu l'usage de ses jambes et découvre ses parents grâce à une lucidité chèrement payée. Ces quatre voix font connaître les habitants du village, leur douleur, et ressassent la question lancinante - qui est responsable ? - avec cette étonnante capacité qu'a Russell Banks de se mettre intimement dans la peau de ses personnages.
The Kid, ein einsamer junger Mann, kommt wegen einer Dummheit ins Gefängnis. Nachdem er seine kurze Haftstrafe abgebüßt hat, wird er während der Bewährungszeit rund um die Uhr elektronisch überwacht. In seiner Stadt darf er sich fortan nicht mehr frei bewegen. Er hat keine andere Wahl, als ein Dasein unter einer Autobahnbrücke am Rande der Gesellschaft zu fristen. Russell Banks beschreibt das Leben der Außenseiter und Geächteten von heute, die den Elementen und der staatlichen Überwachung gleichermaßen ausgesetzt sind. Kid bleibt nur die Flucht in die Wildnis. Doch auch hier holt ihn die Vergangenheit wieder ein. Im seinem Schicksal spiegeln sich die Abgründe der amerikanischen Justiz und der modernen Informationsgesellschaft, die kein Recht auf Vergessen duldet.
Douze nouvelles placées sous le signe d’une sobriété stylistique digne de Raymond Carver au fil desquelles des couples divorcent, des femmes noires sont traquées par des pit-bulls sur des parkings, où la liste des courses à effectuer au supermarché finit par se confondre avec un programme de vie, où des mythomanes prennent leurs semblables en otage, où la mort frappe les hommes comme les animaux, où l’on écoute battre sous la poitrine d’un autre le cœur transplanté d’un amour décédé. Au sommet de son art et avec une superbe économie de moyens, Russell Banks propose ici un recueil de textes dont l’intensité transmue le réel et le quotidien en authentiques paraboles métaphysiques.
