Northrop Frye Knihy

Northrop Frye byl jedním z nejuznávanějších literárních vědců dvacátého století a přes padesát let význačným profesorem Torontské univerzity. Sám popsal Dvojí vidění jako „o něco kratší a přístupnější verzi“ Velkého kódu a jeho pokračování, Mocných slov. Dvojí vidění je Fryeovou poslední prací a v mnoha ohledech i jeho nejpřístupnější vydanou knihou. Pro ty, kdo se setkávají s tímto originálním myslitelem poprvé, nemůže být skvělejší úvod. A pro čtenáře na celém světě, kteří do Fryeova učení už pronikli, je tato útlá publikace vzácnou esencí autorových děl. Odrážejí se v ní vášně, které formovaly jeho život – literatura, mýtus, tvořivá obraznost – a jeho schopnost předávat tyto své vášně studentům a čtenářům po celém světě. Čtenář s jednoduchým viděním (jazyka, přírody, dějin a Boha) je ten, který směřuje ke zničení všeho lidsky nebo božsky smysluplného. Dvojí vidění v nás osvobozuje imaginativní a kreativní energii, abychom myslí a srdcem sami pochopili, že skrze lásku je možné všechno.

Anatomie kritiky Northropa Frye je výsledkem dlouholetého studia literatury, literární vědy i teologie. Poprvé vyšla roku 1957 v Princetonu a dnes je považována za jednu ze základních literárněvědných prací druhé poloviny dvacátého století. Frye vychází z předpokladu, že literární věda má vlastní strukturu poznání, a snaží se o vymezení jejích principů a terminologie. Ve čtyřech esejích se zabývá historickou, etickou, archetypální a rétorickou kritikou a uvádí příklady z antické i moderní literatury. Jednotlivá umělecká díla chápe jako součásti kultury a civilizace a odmítá jejich hodnocení z ideologického hlediska. Anatomie kritiky vzbudila velkou pozornost svým obsahem i formou. Inspiraci z ní dodnes čerpají nejen literární vědci, ale i umělci.

Kniha je pokusem o analýzu Bible z pohledu literárního kritika. Odvážná studie odmítá dogmatické i doslovné interpretace Bible a vyzdvihuje její jedinečnost, sílu a vliv na vývoj celé západní literatury a kultury vůbec.

..". twelve essays in which this visionary literary critic speaks specifically to the eternal act of creation, addressing the incessant need for literary revisioning." --Studies in ReligionThese essays, four of which are published here for the first time, reveal one of the most extraordinary minds of our time engaging a wide range of literary, cultural, and religious issues. Frye gave these addresses during the last decade of his life, and they reveal this distinguished critic speaking with wit and wisdom about the permanent forms of human civilization and engaging in the eternal act of creation.

In this outstanding collection of sixteen essays, the world-renowned critic and scholar discusses various works in the central tradition of English mythopoeic poetry, paying particular attention to the centrality of Romanticism.

Offers fresh insights into ten of Shakespeare's most popular plays

An examination of the influence of the Bible on Western art and literature and on the Western creative imagination in general. Frye persuasively presents the Bible as a unique text distinct from all other epics and sacred writings. “No one has set forth so clearly, so subtly, or with such cogent energy as Frye the literary aspect of our biblical heritage” (New York Times Book Review). Indices.

"What good is the study of literature? Does it help us think more clearly, or feel more sensitively, or live a better life than we could without it? ... What difference does the study of literature make in our social or political or religious attitude? In my early days I thought very little about such questions, not because I had any of the answers, but because I assumed that anybody who asked them was naive. I think now that the simplest questions are not only the hardest to answer, but the most important to ask, so I'm going to raise them and try to suggest what my present answers are."Written in a relaxed, informal, and frequently humorous style, The Educated Imagination is an easy introduction to Northrop Frye's theories of literature and literary education.

"Any publication by Northrop Frye is an important literary event; this one is of the highest importance to Canadian literature." -- Globe and Mail Originally published by Anansi in 1971, The Bush Garden features Northrop Frye's timeless essays on Canadian literature and painting. In this cogent collection of essays written between 1943 and 1969, formidable literary critic and theorist Northrop Frye explores the Canadian imagination through the lens of the country's artistic output: prose, poetry, and paintings. In the collection, Frye offers insightful commentary on the works that shaped a "Canadian sensibility," and includes a comprehensive survey of the landscape of Canadian poetry throughout the 1950s, including astute criticism of the work of E. J. Pratt, Robert Service, Irving Layton, and many others. Written with clarity and precision, The Bush Garden is a significant cache of literary criticism that traces a pivotal moment in the country's cultural history, and the evolution of Frye's thinking at various stages of his career. These essays are evidence of Frye's brilliance, and cemented his reputation as Canada's -- and the world's -- foremost literary critic.

Revised to meet the changing literary interests and emphases of the twenty-first century, the second edition of The Harper Handbook to Literature adds, augments, and clarifies definitions. Arranged in alphabetical order, this Handbook aims to satisfy curiosity about terms such as syzygy or zeugma, concepts such as structuralism or phenomenology, and literary genres and movements such as Drama or Goliardic verse. Over 100 items are new to this edition, including Queer Theory, Reader-Response Theory, Cultural Studies, Anxiety of Influence, Logocentrism, Orientalism, and Saussurean Linguistics, to name only a few. Entries generally range from a few words to summary essays with bibliographies for further study, and cross-references lead from definitions to larger concepts. A practical "Chronology of Literature and World Events", at the end of the text presents a comprehensive timeline from the earliest cities of Mesopotamia to contemporary names and titles.

This wonderful The Stubborn Essays on Criticism and society by Northrop Frye is a joy. This volume is made up of some of his most important recent essays, and contain some of his central ideas and most pointed prose.

In this classic book, the resouces of an exceptional critic are brought to bear on questions of prime importance in modern life. Frye presents a brilliant array of ideas and observations on the methodology of our day and its central elements, alienation, and progress; the effects of anthologyon the structured society; characteristics commonly associated with the `modern'; antisocial attitudes in modern culture; the role of the arts in informing the contemporary imagination; and finally the way in which the creative arts are absorbed into society through education.

Northrop Frye’s influence on contemporary literary and cultural interpretation is profound. In his landmark work, he showcases his ability to map the realm of imaginative creation. In his exploration of romance, Frye addresses a genre often dismissed as trivial, despite its rich narrative elements such as mistaken identities, shipwrecks, and magical interventions. While critics may overlook the romantic aspects of works like the Odyssey, The Faerie Queene, and Shakespeare’s later plays, Frye identifies a deeper significance in these narratives. He reveals an imaginative universe that spans from idyllic to demonic realms, highlighting a cyclical pattern of descent into and ascent from darkness. Frye argues that romance represents an integrated vision of the world, akin to a “secular scripture,” with humanity as its central hero, contrasting with sacred texts that focus on divine figures. His clarity of thought, expansive conceptual framework, and engaging writing style have garnered him widespread acclaim, establishing him as a pivotal figure in modern critical theory.

Northrop Frye's thinking has had a pervasive impact on contemporary interpretations of our literary and cultural heritage. In his Anatomy of Criticism , a landmark in the history of modern critical theory, he demonstrated his genius for mapping out the realm of imaginative creation. In The Secular Scripture he turns again to the task of establishing a broad theoretical framework, bringing to bear his extraordinary command of the whole range of literature from antiquity to the present. Romance, a mode of literature trafficking in such plot elements as mistaken identity, shipwrecks, magic potions, the rescue of maidens in distress, has tended to be regarded as hardly deserving of serious consideration; critics praise other aspects of the Odyssey , The Faerie Queene , Shakespeare's last plays, and Scott's Waverley novels, for example, while forgiving the authors' indulgence in childishly romantic plots. Frye, however, discerns in the innumerable romantic narratives of the Western tradition an imaginative universe stretching from an idyllic world to a demonic one, and a pattern of action taking the form of a cyclical descent into and ascent out of the demonic realm. Romance as a whole is thus seen as forming an integrated vision of the world, a "secular scripture" whose hero is man, paralleling the sacred scripture whose hero is God. The clarity of Northrop Frye's perception, the scope and suggestiveness of his conceptualizing, the wit and grace of his style, have won him universal admiration.