Diana Evansová je britská autorka, jejíž díla se ponořila do složitosti vztahů a identity, často s využitím dynamických a rytmických prozaických stylů, které odrážejí její minulost tanečnice. Její romány zkoumají témata jako láska, ztráta, rasa a hledání místa ve světě, přičemž se zaměřuje na vnitřní život svých postav s pronikavou empatií. Evansová využívá bohatý jazyk a nekonvenční struktury k vytvoření poutavých a často emocionálně rezonujících příběhů, které čtenáře nutí k zamyšlení nad lidskou zkušeností. Její literární přístup je charakterizován hlubokým zájmem o hudbu a pohyb, které se promítají do jejího jedinečného autorského hlasu.
The book explores the strategic use of pork barrel projects as a means for Congressional leaders and the President to secure votes for significant national legislation. Through interviews with key political figures, it provides an in-depth narrative of the legislative process, complemented by statistical analysis. This unique examination sheds light on the intricate relationship between localized funding and broader policy decisions, offering insights into the motivations and tactics behind vote-buying in Congress.
From the acclaimed author of 26a, comes a dazzling new novel about the fight to achieve one’s dream, and an unsolved disappearance at the heart of a family. As a child Lucas assumed that all children who’d lost their parents lived on water. Now a restless young man, and still sharing the West London narrowboat with his sister Denise, he secretly investigates the contents of an old wardrobe, in which he finds relics from the Midnight Ballet, an influential black dance company of the 1960s founded by his Jamaican father, the charismatic Antoney Matheus. In his search to unravel the legacy of the Midnight Ballet, Lucas hears of hot-house rehearsals in an abandoned Notting Hill church, of artistic battles and personal betrayals, and a whirlwind European tour. Most importantly, Lucas learns about his parents’ passionate and tumultuous relationship and of the events that led to his father’s final disappearance. Vividly conjuring the world of 1950s Kingston, Jamaica, the Blues parties and early carnivals of Ladbroke Grove, the flower stalls and vinyl riflers of modern-day Portobello Road, and the famous leap and fall of Russian dancer Vaslav Nijinsky, Diana Evans creates a haunting and visceral family mystery about absence and inheritance, the battle between love and creativity, and what drives a young man to take flight…
Identical twins, Georgia and Bessi Hunter, live in the loft of 26 Waifer Avenue in Neasden. This novel watches the Hunter family as they make their way through the 1980s. Some family members having more success than others.
Thoughtful and intelligently observed... Evans's delicate prose weaves issues
of racial identity and politics into the narrative so that they never feel
heavy-handed...a deftly observed, elegiac portrayal of modern marriage, and
the private - often painful - quest for identity and fulfilment in all its
various guises Observer
*THE INTIMATE AND COMPELLING NEW NOVEL FROM THE PRIZEWINNING AUTHOR OF ORDINARY PEOPLE* 'A gorgeous novel from one of our most outstanding writers' BERNARDINE EVARISTO 'A wise, tender novel' MONICA ALI 'A lyrical and glorious writer' NAOMI ALDERMAN After fifty years in the wilderness of London, Alice wants to live out her days in the land of her birth. Her children are divided on whether she stays or goes, and in the wake of their father's death, the imagined stability of the family begins to fray. Meanwhile youngest daughter Melissa has never let go of a love she lost, and Michael in return, even within the sturdy walls of his marriage to the sparkling Nicole, is haunted by the failed perfection of the past. As Alice's final decision draws closer, all that is hidden between Melissa and her sisters, Michael and Nicole, rises to the surface . . . Set against the shadows of a city and a country in turmoil, Diana Evans's ordinary people confront fundamental questions. How should we raise our children? How to do right by our parents? And how, in the midst of everything, can we satisfy ourselves? 'Evans is always, always on the finest of forms' CANDICE CARTY-WILLIAMS 'A writer at the top of her game' LEONE ROSS 'I adored A House for Alice. Her writing is exquisite- every sentence a jewel' ELIZABETH DAY
The narrative unfolds through Diana Evans's journey as a culture editor at Pride magazine, where she interviews prominent artists while maintaining an observer's perspective. This collection features personal essays reflecting her experiences, including her love for literature and the influence of cultural events like George Floyd's death and the Grenfell tragedy. With insights into her family life, fashion, and yoga, Evans's work invites readers to engage in a dialogue about identity, art, and the complexities of contemporary life, showcasing her unique voice developed over twenty-five years.
