Maia Figueroa Evans Pořadí knih (chronologicky)

In the thirty-second installment of Donna Leon’s bestselling series, a connection to Guido Brunetti’s own youthful past helps solve a mysterious murder On a cold November evening, Guido Brunetti and Paola are up late when a call from his colleague Ispettore Vianello arrives, alerting the Commissario that a hand has been seen in one of Venice’s canals. The body is soon found, and Brunetti is assigned to investigate the murder of an undocumented Sri Lankan immigrant. Because no official record of the man’s presence in Venice exists, Brunetti is forced to use the city’s far richer sources of information: gossip and the memories of people who knew the victim. Curiously, he had been living in a small house on the grounds of a  palazzo  owned by a university professor, in which Brunetti discovers books revealing the victim’s interest in Buddhism, the revolutionary Tamil Tigers, and the last crop of Italian political terrorists, active in the 1980s.As the investigation expands, Brunetti, Vianello, Commissario Griffoni, and Signora Elettra each assemble pieces of a puzzle—random information about real estate and land use, books, university friendships—that appear to have little in common, until Brunetti stumbles over something that transports him back to his own student days, causing him to reflect on lost ideals and the errors of youth, on Italian politics and history, and on the accidents that sometimes lead to revelation.

When important information is leaked from inside the Venetian Questura, Commissario Guido Brunetti is entrusted with the task of uncovering which of his colleagues is responsible. But before Brunetti can begin his investigation, he is surprised by the appearance in his office of a friend of his wife's, who is fearful that her son is using drugs. A few weeks later, Tullio Gasparini, the woman's husband, is found unconscious with a serious head injury at the foot of a bridge, and Brunetti is drawn to pursue a possible connection to the boy's behaviour. But the truth is not straightforward. Following various contradictory leads, Brunetti navigates his way through a world of mysterious informants, underground deals and secret longstanding scam networks, all the while growing ever more impressed by the intuition of his fellow Commissario, Claudia Griffoni, and by the endless resourcefulness of Signorina Elettra, Vice-Questore Patta's secretary and gate-keeper. With Gasparini's condition showing no signs of improvement, and his investigations leading nowhere, Brunetti is steadied by the embrace of his own family and by his passion for the classics. He turns to Sophocles's Antigone in an attempt to understand the true purpose of justice, and, in its light, he is forced to consider the terrible consequences to which the actions of a tender heart can lead

Brunetti is investigating a cold case by request of the grand Contessa Lando- Continui. Fifteen years ago the Contessa's teenage granddaughter, Manuela, was found drowning in a canal. Manuela, now aged thirty, cannot remember the accident. The Contessa, unconvinced that this was an accident, implores Brunetti to find the culprit.

Představte si, jaké povídky by asi psal Jorge Luis Borges, kdyby vyrostl v americkém maloměstě na béčkových hororových filmech. Představte si pohádky bratří Grimmů přepsané Dostojevským. Asi takhle nezařaditelné jsou povídky americké spisovatelky Kelly Linkové: vtipné a podmanivé, magický realismus od kuchyňského dřezu. Linková píše o zombiích, večerkách, ve kterých straší, o králících, superhrdinech, kočkách, manželství, kanónech, pávech i o vesnici, která se vejde do jedné kabelky. Elegantně při tom překonává žánrová omezení fantasy a science fiction; taková originalita se nenarodí často.