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Constance Penley

    Constance Penleyová zkoumá hloubkové propojení filmu, feminismu a psychoanalýzy. Její práce, ovlivněná jejím akademickým zázemím v oblasti filmových a mediálních studií, proniká do toho, jak filmová tvorba formuje naše chápání iluzí a reality. Zkoumá, jakým způsobem jsou filmové narativy a vizuální styly využívány k vytváření a zpochybňování společenských norem. Její přístup nabízí jedinečný pohled na psychoanalytické podtexty v kinematografii.

    The Feminist Porn Book
    Media and Society: The Future of an Illusion
    Feminism and Film Theory
    • Feminism and Film Theory

      • 271 stránek
      • 10 hodin čtení

      First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

      Feminism and Film Theory
    • Media and Society: The Future of an Illusion

      Film, Feminism, and Psychoanalysis

      • 232 stránek
      • 9 hodin čtení

      The Future of an Illusion was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The Future of an Illusion documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates center on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism, and the implicitly male bias in psychoanalytically oriented film theory. Essential to anyone studying the sexual policies of representation, The Future of an Illusion ranges from avant-garde films to video, popular cinema, television, literature, and critical and cultural theory. Constance Penley is associate professor of English and film studies at the University of Rochester. A co-editor of the journal Camera Obscura ,she is the editor of Feminism and Film Theory .

      Media and Society: The Future of an Illusion