Agnieszka Wojciechowska Knihy

The Alexander Romance is a difficult text to define and to assess justly. From its earliest days it was an open text, which was adapted into a variety of cultures with meanings that themselves vary, and yet seem to carry a strong undercurrent of Alexander is the hero who cannot become a god, and who encapsulates the desires and strivings of the host cultures.The papers assembled in this volume, which were originally presented at a conference at the University of Wrocław, Poland, in October 2015, all face the challenge of defining the Alexander Romance. Some focus on quite specific topics while others address more overarching themes. They form a cohesive set of approaches to the delicate positioning of the text between history and literature. From its earliest elements in Hellenistic Egypt, to its latest reworkings in the Byzantine and Islamic Middle East, the Alexander Romance shows itself to be a work that steadily engages with such questions as kingship, the limits of human (and Greek) nature, and the purpose of history. The Romance began as a history, but only by becoming literature could it achieve such a deep penetration of east and west.

This volume tries to tackle the most serious problem facing modern Alexander the Great studies: that of inadequate sources. Its principal interest is in surviving ancient continuous accounts (Diodorus, Curtius Rufus, Plutarch, Arrian, and Justin), which are at least three hundred years younger than Alexander and in many ways one-sided in their Greek bias, often promoting the view of Alexander within the narrow bounds of a Western conqueror. The papers in this volume deconstruct these accounts and search for sources used by their authors, principally in narrative of eye-witnesses and other authors of the first generation after Alexander, including his court historian Callisthenes and his companions Onesicritus, Aristobulus, and Ptolemy. They search for fragments of ancient literary works known from papyri and for shadowy accounts created on the Persian side like the “mercenaries’ source”. Some papers look into propaganda patterns of the age of Alexander and their connections with clichés of Egyptian literature. Some investigate a parallel tradition on the last will of Alexander, enshrined in I Maccabees , and best known from the Alexander Romance . Finally, papers in this volume examine post-classical rendition of Alexander: Jewish from the Talmud to Josippon and Byzantine, composed of separate textual traditions of various ancient authors, with Plutarch taking pride of place.