Andrew Motion Pořadí knih

From an extraordinary poetic career and including new and previously uncollected poems, this selection draws together work that in a variety of ways offers intimate reflections on memory and the cost of human experience.

Blending scholarly insight with a vibrant flair, this anthology offers a profound exploration of literature's emotional impact. It presents a collection that is both fascinating and essential, showcasing a diverse range of voices and perspectives. The book serves as a significant educational experience, inviting readers to engage deeply with its themes and narratives.

Andrew Motion has been close to the centres of British poetry for over fifty years. Sleeping on Islands is his clear-sighted and open-hearted account of this remarkable career.

Randomly Moving Particles is built from two long poems that form its opening and close, connected by three shorter pieces. The title poem, in a kaleidoscope of compelling scenes, engages with subjects that include migration, placement, loss, space exploration and current British and American politics.

Public Property was Andrew Motion's first collection of poetry after being appointed Poet Laureate. The final section of the book contains a number of elegies and love poems, written in a variety of lyric forms, which provoke concerns that are among the most critical in poetry: What is public art?

From the Orford Merman of the title poem, to an elegy written for a friend who died on the Marchioness, to the vivid prose meditation of the second part, written when Andrew Motion retraced the voyage that John Keats made by sea from London to Naples in the autumn of 1820, the book insistently and brilliantly elaborates images of water.

Motion - affectionate but undeceived about the man's frailties, a diligent researcher and a deft reader of poetry - has written an equally exemplary 'Life' of him.' Peter Conrad, Observer'Honest but not prurient, critical but also compassionate, Motion's book could not be bettered.' Alan Bennett, London Review of Books

Andrew Motion's prose memoir In the Blood (2006) was widely acclaimed, praised as an act of magical retrieval and a hymn to familial love.

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature.

Part of the sequence begun in Laurels and Donkeys, this title looks back to conflicts of the past: to the 'war to end all wars'; to Rupert Brooke on his final journey; to Wilfred Owen at Craiglockhart War Hospital; to Archduke Franz Ferdinand on the day of his fatal shooting.