Alex Potts Knihy

Druhé a doplněné vydání na knižním trhu velmi úspěšné antologie překladů knižních a časopiseckých studií a esejů angloamerických autorů o proměnách interpretačního rámce výtvarného artefaktu a o distanci současných badatelů od klasického pojetí kunsthistorie. Studie C. Owense Reprezentace, přivlastnění a moc, W. Davise Symboly v dějinách a jejich znovuobjevování, D. Summerse Reálná metafora: pokus o novou definici konceptuálního zobrazení a dále studie autorů Podra, Baxandalla, Dunninga, Moxeye, Brysona, publikované v prvním vydání knihy, jsou v druhém vydání doplněny o texty Leo Steinberga Objektivita a mizející já, Richarda Brillianta Můj Laocoon, Jamese Elkinse Objekt civí zpět a Alexe Pottse Skulpturální imaginace. Překlady uvádí podstatně rozšířená a doplněná úvodní stať editora Ladislava Kesnera Teorie, vizuální zobrazení a dějiny umění.

Somewhere, in an isolated corner of Western Europe, Carl and Rita rent a house on stilts. Due to the pressures of spending so much time only in each other's company, cracks in their relationship start to appear. To relieve the pressure and secretly hoping to meet someone he can look up to who will take him on as an apprentice, Carl embarks on a search for the last remaining practitioner of an ancient local tradition. His quest brings him to a craftsman who is very different to the type of man he was hoping to find. Animator and illustrator Alex Pott's first long-form graphic novel is a psychological drama and a coming-of-age tale, where the protagonist is too old to come of age, doesn't experience any personal growth and is instead pushed to the brink of his sanity...

This cat-and-mouse story of a vast FBI sting operation reveals? how the criminal underworld has become a globalized economy in its own right--one that can't be policed without crossing complicated ethical boundaries.

In 1977, Max Neuhaus turned a triangle of pedestrian space between 45th and 46th Streets in Times Square into an island of harmonic sound. Known as Times Square, the celebrated installation was restored in 2002. This book takes considers the singular impact this artist has had in establishing sound as a medium in contemporary art.

Langauge has been a primary element in visual art since the 1960s, in the form of printed texts, painted signs, recorded speech, and much more. Liz Kotz traces this practice to its beginnings, examining works of visual art, poetry and experimental music created in and around New York City from 1958 to 1968