Chcete se naučit pracovat v nejmocnějším bitmapovém editoru na trhu? Oficiální výukový kurz je příručkou vytvořenou ve spolupráci se samotnými tvůrci Photoshopu. Tato rozsáhlá kniha pokrývá všechna významná témata: základní úpravy fotografií, efekty, maskování, náročné výběry, použití inteligentních nástrojů, barevné transformace atd. Přiložené DVD obsahuje pracovní soubory ke všem výukovým lekcím.
Chcete se naučit pracovat v nejmocnějším bitmapovém editoru na trhu? Oficiální výukový kurz je příručkou vytvořenou ve spolupráci se samotnými tvůrci Photoshopu. Tato rozsáhlá kniha pokrývá všechna významná témata: základní úpravy fotografií, efekty, maskování, náročné výběry, použití inteligentních nástrojů, barevné transformace atd. Práci vám ulehčí pracovní soubory ke všem výukovým lekcím ke stažení.
Contains fifteen lessons that cover the features of Adobe Photoshop CC, covering such topics as using adjusting color and tone, working with selections, rearranging layers, adding a background, painting with the mixer brush, and editing video
Offering 15 comprehensive lessons, this guide delves into both fundamental and advanced techniques of Adobe Photoshop, enhancing your productivity with the software. It includes downloadable lesson files for hands-on practice and access to a Web Edition with the complete text. Additionally, instructor notes can be obtained from Pearson.com/us, making it a valuable resource for learners and educators alike.
A buddy-cop dramedy starring a bottle of Advil and a headache that won't quit Imagine you're standing in a room, and someone on the other side of the door won't stop knocking - ever. Welcome to Andrew Faulkner's world of the never-ending, low-grade headache, a medical issue resolved only by striking up a committed relationship with the slippery miracle that is Advil. Through direct address, sideways glances, lyrical interludes and deep consideration of what it means to overcome a condition when living is a part of the condition itself, these poems observe the speaker's world as it crowds around him, coming into sharper and specific focus, from the hard wisdom of saints on suffering and a slightly unhinged Caravaggio on the metaphysics of painting, through to the deep meaning of a hot dog and a thoroughly botched retelling of a Norm Macdonald joke. Throughout it all, Advil whirls around like an unruly tornado of a sidekick, snapping Polaroids and "searching for a cloud that resembles a plausible end-of-life scenario." Think of this collection as a meditation on how to deal with pain and uncertainty when life itself is an uncertain, painful mess. These are poems that acknowledge the shakiness of the ground we stand on. The opening poem wonders: "If you stay with the shakiness through its conjugations? Who knows." But don't worry. Advil's on the case and aims to find out.
Since the 1960s, the occult in film and television has responded to and reflected society's crises surrounding gender and sexuality. In Desire after Dark, Andrew J. Owens explores media where figures such as vampires and witches make use of their supernatural knowledge in order to queer what otherwise appears to be a normative world. Beginning with the global sexual revolutions of the '60s and moving decade by decade through "Euro-sleaze" cinema and theatrical hardcore pornography, the HIV/AIDS crisis, the popularity of New Age religions and witchcraft, and finally the increasingly explicit sexualization of American cable television, Owens contends that occult media has risen to prominence during the past 60 years as a way of exposing and working through cultural crises about the queer. Through the use of historiography and textual analyses of media from Bewitched to The Hunger, Owens reveals that the various players in occult media have always been well aware that non-normative sexuality constitutes the heart of horror's enduring appeal. By investigating vampirism, witchcraft, and other manifestations of the supernatural in media, Desire after Dark confirms how the queer has been integral to the evolution of the horror genre and its persistent popularity as both a subcultural and mainstream media form.
