Scott Wilson Knihy

Kniha Scotta Wilsona přináší nový pohled na učednictví v němž jde o více než pouze o setkávání při studiu Bible nebo na domácích skupinkách. Příběh autora ukazuje, jak pastor jednoho konkrétního sboru dokázal pomoci lidem naplnit Boží cíl v oblasti misie tím, že je provedl cíleným procesem osobního růstu. Tato jednoduchá poutavá kniha přináší naději a inspiraci pro vedoucí církve na mnoha úrovních.

Chcete, aby se vašemu sboru dobře dařilo, aby rostl a naplnil své poslání v Kristu… zdá se však, že tomu něco stojí v cestě. Co když jste to právě vy?

The book explores music as a social bond, drawing parallels to language through a Lacanian psychoanalytic lens. It examines contemporary instances where music serves as a source of discontent while also providing orientation in society. By offering a new theoretical perspective, it highlights the complex role music plays in shaping social connections and individual experiences.

1829 is a tough year to be a body snatcher. Burke and Hare have just been convicted of killing people to sell their bodies, to widespread outrage—but despite the bad press, doctors still need fresh corpses for medical research.Sammy and Facey are a couple of so-called ‘resurrection men’, making a living among society's fringe-dwellers by hoisting the newly departed from the churchyards of London whilst masquerading as late-night bakers. Operating on tip-offs and rumours in the capital’s drinking dens and fighting pits, the pair find themselves in receipt of some valuable intelligence: an unusual cadaver has popped up on the market, that of a hermaphrodite.For any medic worth his salt it’s a once-in-a-lifetime opportunity—a medical curiosity and rara avis—and famous anatomist Joshua Brookes commissions the two men to obtain the body, at any cost. But some corpses hold secrets, and before long the enterprise becomes a deadlier and more complex undertaking than either man could ever have imagined.Some Rise by Sin is a rich, authentic and absorbing historical narrative with a darker edge, a story of surviving on the outskirts of respectability. With echoes of Michel Faber’s The Crimson Petal and the White, it is meticulously researched and suffused with the dark and grimy atmosphere of Regency London, and explores what ambition can mean for poor people in a society that conspires to grind them down at every turn.

This book analyzes the rise of civil society and legal contentiousness in China as the author examines how AIDS carriers and pollution victims pursue justice. His case studies highlight the development of civil society as well as the limitations to the politics of justice as the system balances between the rule of law and regime stability.

Exploring ethical dilemmas through the lens of Lacanian psychoanalysis, this analysis delves into Quentin Tarantino's screenplays and films. The authors discuss how his work engages with postmodernity and contemporary cultural theory, presenting a provocative contribution to the understanding of modern culture. The examination highlights the complex comic elements and ethical questions raised by Tarantino's narratives, offering insights into the interplay between his cinematic style and cultural critique.

Scott Walker and the Song of the One-All-Alone offers, in detailed interpretative commentaries of his best songs, a sustained assessment of the work and career of Scott Walker, one of the most significant and perplexing artists of the late 20th and 21st century. For Brian Eno, Walker was not only a great composer and a superlative lyricist but also a significant contemporary poet. Marc Almond goes further, 'an absolute musical genius, existential and intellectual and a star right from the days of The Walker Brothers'. As Almond suggests, Walker's work is marked by a continual engagement with existentialist philosophy informing his approach to art, politics and life. In particular, the device of the solitary figure or 'one-all-alone' evoked in his songs provides the basis for his lyrical exploration of the singularity of existence – in all its darkness as well as light. Through following his own path, Walker arrived at a unique sound according to his own method that produced a genuinely new form of song. Looking closely at these songs, this book also considers the wider political implications of his approach in its rejection of external authorities and common or consensual ideals.

Set in the year 2048, the narrative explores a dystopian America where a tyrannical regime enforces strict adherence to multiculturalism, punishing those deemed politically incorrect. The story echoes Huey Long's warning about the potential for fascism to masquerade as anti-fascism, highlighting the chilling consequences of extreme ideological enforcement. This thought-provoking tale delves into themes of freedom, conformity, and the dangers of unchecked power in a society that has lost its way.

"Eating candy nonstop and watching TV all day sounds great . . . until you actually do it, as the kids of Bayport High find out when all the adults vanish, and the world's greatest (high school) detectives--the Hardy Boys and Nancy Drew!--have to team up to solve the mystery! Whether it's going under cover, sneaking out at night, chasing weird buses, or following a strange smell, they know it'll take all their wits and smarts to get their parents and teachers back. . . that is, if Joe and Frank don't kill each other first. Oh, and there's also the matter of the skeleton that can walk. And a major feud with a rival high school. And a koala-in-a-diaper costume. And lawlessness in the hallways. And an unrequited crush..."--Provided by publisher

This work delves into a groundbreaking interpretation of "joy," challenging traditional notions within psychoanalysis and cultural studies. It examines how joy can be understood beyond mere happiness, exploring its complexities and implications in human experience. Through a provocative lens, the book invites readers to reconsider their perceptions of joy and its role in psychological and cultural contexts.