Mieke Bal Pořadí knih

"Up into the unknown" is the phrase the architects Colin Fournier and Peter Cook came up with for the futuristic architecture of the Kunsthaus Graz. To this day, this is to be understood as an invitation to explore the limits of the imagination and to test alternative ideas and utopias in a laboratory for art. Since 2003, the Kunsthaus has been an institution without a collection. Today it claims to be a museum. With its architecture of hybrid spaces, site-specific invitations to confrontation and the mission to be a production site for contemporary art, the Kunsthaus Graz is a space and place of potentiality and otherness. Blueprint for a Museum is to be understood as a draft for a museum, a blueprint that simultaneously reflects abstract categories of the institution and resonates with concrete programme concepts. The publication thus follows the idea of experimentation that the Kunsthaus Graz has embodied since its foundation.

In this rich, highly illustrated book, Mieke Bal takes us on a journey through the range of her work, using the concept of image-thinking as a point of connection between cultural analysis and artistic practice. Sharing a lifetime of experience of writing about art, making films and installations, as well as curating exhibitions, she shows us how these may be brought into dialogue with insights from theory. Bal teaches us how to think with images, but also how to write and think – as artists and writers – about our own creative work. This is Mieke Bal at her most personal and her best.

A major survey of Dame Laura Knight, first female Royal Academician and popular British artist of the 20th century.Laura Knight (1877–1970) was one of the most famous and popular English artists of the twentieth century. She was the first woman to have a solo exhibition at the Royal Academy of Arts, in 1965. In the following decades her realist style of painting fell out of fashion and her work become largely overlooked. A new generation has rediscovered her work, finding a contemporary resonance in her depictions of women at work, of people from marginalized communities and her contributions as a war artist.This beautifully illustrated book, which accompanies a major exhibition at MK Gallery, provides an overview of Knight's illustrious from her training at Nottingham Art School at the age of 13 and her time in North Yorkshire and Cornwall, to her visits to traveller communities and a segregated American hospital. It also features her circus, ballet and theatre scenes, paintings of women during the war and her late paintings of nature.The selection of over 160 works combines celebrated paintings with less known graphic and design works, including ceramics, jewellery and costumes that reflect the artist's enduring interest in the everyday activities of people from all walks of life.

Narratology in Practice draws on various cultural domains to explain the ways in which theory illuminates the presence of narrative.

In Exhibition-ism, theorist and artist Mieke Bal develops the idea that exhibiting is a significant form of the contemporary.In an exhibition, visitors are in the actual company of artworks that can perform. This essay considers recent shows of Bal's own video work, and is framed by observations on contemporary sculpture's response to classics of the form. Looking at art as process, Bal makes the case that the being-together-in-time of an exhibition visit encourages and, if the curation is well thought-out, can heighten the sense of the contemporaneity—art being more capable of this than anything else.

What is the point of bringing reflexive discourse called theory to bear on such diverse subjects as the Statue of Liberty, the dTcor of Freud's study, a fifteenth-century triptych and contemporary science, on Kant and postmodern literature, Indian traditions and the voice of a soprano? The Point of Theory works to reintegrate theory and theorizing into a culture disturbed by "anti-theorism" and political "in-correctness." In this book, twenty-two cultural theorists seek to make the workings of culture understandable.

Auch wenn die Kulturwissenschaften gemeinhin als neue Leitwissenschaft innerhalb der Geisteswissenschaften ausgerufen werden, so fehlt es ihnen doch nach wie vor an einer klaren theoretischen Profilierung und an einem fest umrissenen Forschungsfeld. Mieke Bal sucht mit ihrer an dekonstruktivistische wie an ideologiekritische Positionen anschließenden Kulturanalyse dieses Dilemma der cultural studies zu überwinden. Sie schlägt einen entscheidenden Wechsel in der Orientierung vor: den Einsatz von Konzepten als Theorien en miniature, die sie jeweils in enger Verzahnung mit den zu analysierenden Gegenständen entwickelt und klar definiert. Der vorliegende Band, der von Mieke Bal zusammengestellt worden ist, versammelt, neben grundlegenden theoretischen überlegungen, eine Reihe ebenso prägnanter wie weitreichender Einzelanalysen. Sie spannen den Bogen von einer Narratologie des Sammelns über die Semiotik des Ausstellens als eines Exponierens von Argumenten bis zu einer photographischen Lektüre Prousts oder einer ›widersinnigen‹ Geschichte des Barock. Gemeinsam ist diesen Aufsätzen, die hier zum Teil erstmals veröffentlicht werden, nicht nur der Anspruch, die strikte Trennung zwischen Wort und Bild aufzuheben, sondern auch das Plädoyer für eine Erneuerung der Geisteswissenschaften.