Greg Mitchell Knihy

Mitchell, editor of "Editor & Publisher" and noted press critic, offers his assessment of how well the media has--and has not--covered the war in Iraq.

In the summer of 1962, one year after the rise of the Berlin Wall, a group of daring young West Germans risked prison, Stasi torture and even death to liberate friends, lovers, and strangers in East Berlin by digging tunnels under the Wall.Then, as the world’s press heard about the secret projects, two television networks raced to be the first to document them from the inside, funding two separate tunnels for exclusive rights to film the escapes. In response, President John F. Kennedy and his administration, wary of anything that might raise tensions and force a military confrontation with the Soviets, maneuvered to quash both documentaries.As Greg Mitchell's riveting narrative unfolds, we meet extraordinary characters: the legendary cyclist who became East Berlin’s most wanted man; the tunneller who had already served four years in the East German gulag; the Stasi informer who betrays the ‘CBS tunnel’; the young East Berliner who escapes with her baby, then marries one of the tunnellers; and an engineer who would later help build the tunnel under the English Channel.Capturing the hopes and fears of everyday Berliners, the chilling reach of the Stasi secret police, and the political tensions of the Cold War, The Tunnels is breaking history, a propulsive read whose themes still reverberate today.

"Soon after atomic bombs exploded over Hiroshima and Nagasaki in 1945, MGM set out to make a movie studio chief Louis B. Mayer called "the most important story" he would ever film: a big budget dramatization of the Manhattan Project and the invention and use of the revolutionary new weapon. Over at Paramount, Hal B. Wallis was ramping up his own film version. His screenwriter: the novelist Ayn Rand, who saw in physicist J. Robert Oppenheimer the model for a character she was sketching for Atlas Shrugged. Greg Mitchell's The Beginning or the End chronicles the first efforts of American media and culture to process the Atomic Age. A movie that began as a cautionary tale inspired by atomic scientists aiming to warn the world against a nuclear arms race would be drained of all impact due to revisions and retakes ordered by President Truman and the military-for reasons of propaganda, politics, and petty human vanity (this was Hollywood). Mitchell has found his way into the lofty rooms, from Washington to California, where it happened, unearthing hundreds of letters and dozens of scripts that show how wise intentions were compromised in favor of defending the use of the bomb and the imperatives of postwar politics. As in his acclaimed Cold War true-life thriller The Tunnels, he exposes how our implacable American myth-making mechanisms distort our history"-- Provided by publisher