Robert Schumann Knihy

Výbor z článků otištěných vesměs v časopise "Neue Zeitschrift für Musik", jehož byl Schumann zakladatelem. Nejrůznější formou - od důkladného rozboru až k heslovitým poznámkám a aforismům - vyslovuje autor své názory na teoretické problémy hudební tvorby i své stanovisko hudebního kritika k jednotlivým zjevům světové hudby. Svazek je doplněn ukázkami z poezie a prózy mladých let. 1600 výt. • Vysvětl. • Seznam skladeb autora • Jmenný rejstřík • Pozn.

All solo music not in other volumes, including Symphonic Etudes, Phantasie, 13 other choice works. Definitive Breitkopf & Härtel edition.

An original in one volume, a study-size score of a major musical work, and a comprehensive body of tools for the study of that work. Music examples and charts illustrate the analyses, and each essay is fully annotated by the editor. In some cases, the results of the original research by the editor or by others working in the field are published here for the first time. Much of the material has never before appeared in English. A score embodying the best available musical text. historical background―what is known of the circumstances surrounding the origin of the work, including (where relevant) original source material. A detailed analysis of the music, by the editor of the volume or another well-known scholar. Other significant analytic essays and critical comments, exposing the student to a variety of opinions about the music.

Dover Publications continues its series of playing editions of musical masterpieces with this selection of Robert Schumann's later compositions for solo piano, edited by Clara Schumann. This second volume contains the major compositions from the period 1838 53: "Humoreske," "Novelletten," "Sonate No. 2," Nachtstucke," "Faschingsschwank aus Wien," "42 Clavierstucke fur die Jugend," "4 Fugen," "Waldscenen," "Bunte Blatter," and "3 Clavier-Sonaten fur die Jugend." This book has been especially designed as a playing edition the noteheads are large and easily readable at the piano, and the margins and spaces between staves are adequate for written notes, fingerings, and turnovers. It is also most useful for analysis or as accompaniment to recordings. "