Francis Poulenc Knihy

(Editions Durand). "For as long as there are poets there will be songs. If someone was to put on my tomb: 'Here lies Francis Poulenc, musician to Apollinaire and Eluard: ' that really would be my finest claim to fame," the composer declared in 1945. Right from boyhood his attraction to poetry was practically equal to his love of music. And in fact the young Poulenc took to song-writing quite naturally, starting in 1919. Poulenc compiled a catalogue of 150 songs, a body of works of consistently high quality, containing great diversity, that marks him out as the last major exponent in this genre. These editions belong to "Musique vocale francaise," a series devoted to French vocal repertoire both in original and transposed key designed for students and teachers as well as professionals; they include original poems and English translations.

This collection features an array of musical compositions designed for flute, oboe, clarinet, bassoon, horn, and piano. It offers a diverse selection of pieces that cater to both solo and ensemble performances, making it suitable for musicians of varying skill levels. The arrangements aim to enhance technical proficiency and artistic expression, providing an enriching experience for both players and audiences alike. Ideal for practice or performance, this compilation is a valuable resource for woodwind and piano musicians.

The score, completed by Poulenc in 1945, features a unique combination of narration and piano accompaniment. It is structured into distinct sections, allowing the pianist to perform self-contained descriptive pieces that enhance the storytelling. This innovative format showcases Poulenc's creativity and ability to blend musical expression with narrative elements.

The last of Poulenc's wind sonatas, composed shortly before his death and dedicated to Sergey Prokofiev, showcases profound poignancy and delicacy. Although Poulenc did not witness its completion, the work was published posthumously. This edition is a 2004 updated and revised version, edited by Millan Sachania, highlighting the enduring significance of Poulenc's final composition.