Kei Miller Knihy

When Kei Miller describes these as essays and prophecies, he shares with the reader a sensibility in which the sacred and the secular, belief and scepticism, and vision and analysis engage in profound and lively debate. Two moments shape the space in which these essays take place. He writes about the occasion when as a youth who was a favoured spiritual leader in his charismatic church he found himself listening to the rhetoric of the sermons for their careful craft of prophecy; but when he writes about losing his religion, he recognises that a way of being and seeing in the world lives on - a sense of wonder, of spiritual empowerment and the conviction that the world cannot be understood, or accepted, without embracing visions that challenge the way it appears to be.

"In this moving and lyrical collection of essays, the award-winning poet and novelist Kei Miller explores the silence in which so many important things are kept. He examines the experience of discrimination through this silence and what it means to breach it: to risk words, to risk truths. And he considers the histories our bodies inherit - the crimes that haunt them, and how meaning can shift as we move throughout the world, variously assuming privilege or victimhood. Through letters to James Baldwin, encounters with Liam Neeson, Soca, Carnival, family secrets, love affairs, white women's tears, questions of aesthetics and more, Miller powerfully and imaginatively recounts everyday acts of racism and prejudice. With both the epigrammatic concision and conversational cadence of his poetry and novels, Things I Have Withheld is a great artistic achievement: a work of beauty which challenges us to interrogate what seems unsayable and why - our actions, defence mechanisms, imaginations and interactions - and those of the world around us"--Publisher's description.

The highly anticipated new collection from Forward Prize-winner Kei Miller explores his strangest landscape yet - the placeless place. Here is a world in which it is both possible to hide and to heal, a landscape as much marked by magic as it is by murder.

Driven by atmosphere more than plot, the language is as clear as spring water OBSERVER 20160710 The DAILY MAIL said of his writing 'He is being marketed as a cross between Andrea Levy and Alexander McCall Smith, but he is probably a better writer than either'.

Sings in the rhythms of ritual and folktale, praise songs and anecdotes, blending lyricism with a cool wit, finding the languages in which poetry can sing in dark times.

WINNER OF THE 2014 FORWARD PRIZE FOR BEST COLLECTION In his new collection, acclaimed Jamaican poet Kei Miller dramatises what happens when one system of knowledge, one method of understanding place and territory, comes up against another.

Adamine Bustamante is born in Jamaica, inside one of the islands last leper colonies. When she goes to a Revivalist Church, she discovers her gift of warning. But no one has bothered to warn Adamine that when she migrates to England her prophecies of hurricanes and earthquakes will no longer be respected.

There is an Anger That Moves is written by a poet from the Caribbean.

From the WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2014, a 'humorous, bittersweet fiction, combin[ing] the fantastical realism of Marquez with the domestic comedy of Andrea Levy' INDEPENDENT