Indian Cotton Textiles
- 172 stránek
- 7 hodin čtení
Features the Indian dyed and painted cotton cloths in the Thakar Collection.
John Guy je uznávaným britským historikem, který oživuje minulost jako málokdo. Jeho psaní je strhující, často přirovnáváno k detektivnímu románu, neboť s forenzní precizností odhaluje skryté motivy a lidské slabosti svých postav. Guy se nezabývá jen povrchem událostí; ponořuje se do archivů, aby rozpletl historická tajemství a odhalil zcela nové pohledy. Jeho cílem je, abychom se vcítili do světa historických postav a porozuměli jim na hlubší úrovni.






Features the Indian dyed and painted cotton cloths in the Thakar Collection.
Charismatic, insatiable and cruel, Henry VIII was, as John Guy shows, a king who became mesmerized by his own legend - and in the process destroyed and remade England. Said to be a 'pillager of the commonwealth', this most instantly recognizable of kings remains a figure of extreme contradictions: magnificent and vengeful; a devout traditionalist who oversaw a cataclysmic rupture with the church in Rome; a talented, towering figure who nevertheless could not bear to meet people's eyes when he talked to them. In this revealing new account, John Guy looks behind the mask into Henry's mind to explore how he understood the world and his place in it - from his isolated upbringing and the blazing glory of his accession, to his desperate quest for fame and an heir and the terrifying paranoia of his last, agonising, 54-inch-waisted years.
Charismatic, insatiable and cruel, Henry VIII was, as John Guy shows, a king who became mesmerized by his own legend - and in the process destroyed and remade England. Said to be a 'pillager of the commonwealth', this most instantly recognizable of kings remains a figure of extreme contradictions: magnificent and vengeful; a devout traditionalist who oversaw a cataclysmic rupture with the church in Rome; a talented, towering figure who nevertheless could not bear to meet people's eyes when he talked to them. In this revealing new account, John Guy looks behind the mask into Henry's mind to explore how he understood the world and his place in it - from his isolated upbringing and the blazing glory of his accession, to his desperate quest for fame and an heir and the terrifying paranoia of his last, agonising, 54-inch-waisted years.
Shows and describes drawings, textiles, furniture, weapons, jewelry, and sculpture, and discusses the influence of European contact
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Illustrated with the Victoria and Albert Museum's unrivaled collection of South Asian sculpture, this freshly redesigned volume makes John Guy's classic study available once again. This is the first book to look at Indian temple sculpture within its full context, from religion and ritual to architecture and iconography. An excellent introduction to the three traditional religions of the Indian subcontinent - Hinduism, Jainism, and Buddhism - through the myths and manifestations of the principal deities, Indian Temple Sculpture will fascinate all those interested in Indian culture.
Banker, gaoler, smuggler, spy: the many lives of a Tudor power-broker.