Geoffrey Grigson se proslavil ve 30. letech 20. století jako básník a později jako vlivný redaktor básnického časopisu. Jako učitel, novinář a rozhlasový pracovník se později stal uznávaným kritikem a redaktorem, zejména pro The New York Review of Books. Jeho tvorba zahrnuje poezii, cestopisy, uměleckou kritiku a díla o anglickém venkově a botanice. Grigson byl rovněž známý svými inovativními antologiemi, které obohacovaly literární krajinu.
Originally published in 1948, An English Farmhouse is Geoffrey Grigson's careful survey of the old English farmhouse and its associated buildings. Grigson paints a vivid picture of rural life in the preceding centuries, and creates a delicate weave of social history.
When is the best time to spot a shooting star or a glow worm? Where does a 'ha-ha' get its name? From weathercocks to rainbows, place names and poets to mazes, dene-holes, crypts and sham ruins, this book can help you look beyond the familiar sights of our landscape and discover the hidden, magical world that remains, just off the motorway.
The English writers in which the author has included (among many anonymous contributions) range from Skelton through Peacock and Lear to Stevie Smith; from Europe come Rabelais, Christian Morgenstern, Hans Arp and Robert Desnos. But, as Mr. Grigson points out, it is inappropriate to be too serious or too solemn about writing which aims to poke fun and give pleasure.
Aphrodite, die Göttin der Lust und der Liebe, hat seit Jahrtausenden die Phantasie der Liebenden, der Dichter und Künstler bewegt. „Hinter ihr, die rasch dahinschritt durch die jungen Ufer, erhoben sich die Blumen und Halme, warm, verwirrt, wie aus Umarmung“ schrieb Rainer Maria Rilke. Der englische Poet Geoffery Grigson hat die Spuren der Göttin verfolgt. Er fand die felsige Küste, wo sie „schaumgeboren“ an Land stieg, und die Anemonen, die sich vom Blut ihres Liebhabers rot färbten. Er besuchte ihre Tempel auf Zypern und ihre Statuen in den Museen Griechenlands, Italiens und der Türkei. Er erzählt, wie die babylonische Ischtar zur schlanken Aphrodite der Griechen und Venus der Römer heranwuchs, wie sie im Mittelalter das Opfer der Intoleranz wurde und in der Renaissance zu neuem Leben erwachte. Er deutet die Symbole und Zeichen, die sie begleiten, und beleuchtet auch die prosaischen Seiten der Göttin, die Organisation ihres Kults und die Rolle der Tempeldienerinnen. Eine ungewöhnliche Biographie voll Geist und Witz, beschwingter Erzählfreude und detektivischem Spürsinn. Illustriert mit großen Zeugnissen der Literatur und der bildenen Kunst, Gedichten und Gemälden, welche die Schönheit der Göttin zeitlos offenbaren.
Geoffrey Grigson was arguably the century's greatest poetry anthologist - a man whose breadth of reading was equalled only by his infallible taste. To every anthology, Grigson brought his habitual enthusiasm and his flair for the recondite. The Faber Book of Love Poems is no exception - a task undertaken con amore by a well-furnished mind and an experienced heart.
This varied collection of satirical verse contains 232 selections by writers from John Skelton and John Donne to Louis MacNeice and Clive James. Grigson--a well-known poet and critic--has chosen verse by such master satirists as John Dryden, Jonathan Swift, Alexander Pope, Charles Churchill, and Lord Byron, and has included such classics as "Mac Flecknoe" and "Beppo."
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