Marina Warner Pořadí knih (chronologicky)

Exploring the concept of sanctuary, this book delves into its significance for individuals facing desperate circumstances today, while also reflecting on historical contexts of refuge and displacement. It intertwines literary and mythological canons, offering a profound examination of how these themes resonate across time and cultures. Through this lens, the narrative reveals the complexities of seeking safety and belonging in a world marked by turmoil.

Art writing at its most useful should share the dynamism, fluidity, and passions of the objects of its enquiry, argues author Marina Warner in this new anthology. Here, some of Warner’s most compelling writing captures the visual experience of the work of a diverse group of artists—with a notable focus on the inner lives of women—through an exploration of the range of stories and symbols to which they allude in their work. Warner vividly describes this imagery, covering the connection with animals in the work of Louise Bourgeois, the Catholicism of Damien Hirst, performance as a medium of memory in the installations of Joan Jonas, and more. Rather than drawing on connoisseurship, Warner’s approach grows principally out of anthropology and mythology. Accompanied by illustrations of the works being described, Marina Warner’s writing unites the imagination of artist, writer, and reader, creating a reading experience that parallels the intrinsic pleasure of looking at art. This book will appeal to any student of art history, those interested in philosophy, feminism, and more generally in the humanities.

The Cahiers Series continues its exploration of translation in all its aspects with this account by renowned writer and academic Marine Warner of what happened to time during the Coronavirus pandemic lockdowns. She recounts how strangely her days and weeks passed, in this highly personal account of a response to lockdown in which she delves into her experience of Catholic convent schools for some clues as to how each day might be marked as significant. She discusses missals, almanacs, Roman and Revolutionary calendars, developing her thoughts into what amounts almost to a manifesto for a new way of rendering each day different, memorable, human. Her text is accompanied by a further response to lockdown, by the Greek photographer Dimitris Kleanthis, whose haunting images somehow make visible the suspension and acceleration of time experienced by so many, while also hinting at how, to the eye that is acute enough, there may always be an event taking place.

Fun activities for pre-school kids to keep them entertained whilst building key early years skills

"Esmond and Ilia follows Marina Warner's beautiful, penniless young mother Ilia as she leaves southern Italy in 1945 to travel alone to London. Her husband, an English colonel, is still away in the war in the East as she begins to learn how to be Mrs. Esmond Warner, an Englishwoman. With diamond rings on her fingers and brogues on her feet, Ilia steps fearlessly into the world of cricket and riding. But, without prospect of work in a bleak, war-ravaged England, Esmond remembers the glorious ease of Cairo during his periods of leave from the desert campaign. There, they start a bookshop, a branch of W. H. Smith's. But growing resistance to foreign interests, especially British, erupts in the 1952 uprising, and the Cairo Fire burns the city clean. Evocative and imaginative, at once historical and speculative, this memoir powerfully resurrects the fraught union and unrequited hopes of Warner's parents. Memory intertwines richly with myth, the river Lethe feeling as real as the Nile. Vivid recollections of Cairo swirl with ever-present dreams of a city where Warner's parents, friends, and associates are still restlessly wandering"-- Provided by publisher

A luminous memoir of post-war childhood, adventure and loss on the banks of the Nile. 'Wonderful - a brave, inventive, touching distillation of memory and imagination' JENNY UGLOW

A luminous memoir of post-war childhood, adventure and loss on the banks of the Nile.'Wonderful - a brave, inventive, touching distillation of memory and imagination' JENNY UGLOW

In the late seventeenth century, Robert Kirk, an Episcopalian minister in the Scottish Highlands, sought to gather his parishioners' captivating tales of elves, fairies, fauns, doppelgängers, wraiths, and other beings that he described as "a middle nature betwixt man and angel." Kirk viewed these stories as compelling evidence of a supernatural realm existing alongside our own, which he believed warranted exploration as much as the New World. He articulated these views in The Secret Commonwealth, an essay left in manuscript form at his death in 1692. This rare work blends science, religion, and folklore, infused with the curiosity and wonder reminiscent of Robert Burton's Anatomy of Melancholy and Sir Thomas Browne's writings. The Secret Commonwealth stands out not only as a significant document in the history of ideas but also as a captivating study of enchantment. First published in 1815 by Sir Walter Scott and later reedited in 1893 by Andrew Lang, it has been hard to find, often available only in scholarly editions. The new edition modernizes Kirk's spelling and punctuation and includes a comprehensive introduction by critic and historian Marina Warner, highlighting Kirk's unique contributions and the enduring presence of fairies in contemporary thought.

Review from previous edition the book is an enchanted material object, and reading a journey toward knowledge and wisdom. Gramayre

Long-listed for the 2016 Edge Hill Short Story PrizeFly Away Home is Marina Warner's third - and eagerly-awaited - collection of short stories. Inspired by fairy tales, legends, and mythology, this timeless selection explores the themes of love and war - in families, and between generations.In 'Mélusine' a gorgeous mermaid encounters disaster in love and visits her aunt, Morgan le Fay, to pour out her woes ; in 'Breadcrumbs' a hospital patient overhears a night nurse recounting an extraordinary tale of family torn apart under terrifying circumstances. 'Out of the Burning House' introduces an elderly actor recalling an unusual case of heartbreak at the hands of a TV personality; in 'The Difference in the Dose' a young mother becomes increasingly anxious about the rift between herself and her adoptive mother. And in 'Letter to an Unknown Soldier' a thirteen year-old girl writes a heartrending second letter to an older brother away at war, having had no reply to her first...Like her award-winning novels, Marina Warner's stories conjure up mysteries and wonders in a physical world, treading a delicate, magical line between the natural and the supernatural, between openness and fear. An elegant mix of the poignant, the caustic, and the bizarre, Fly Away Home will be treasured by fans and new readers alike.

Marina Warner explores the enchanting world of fairy tales, examining their evolution, cultural significance, and impact on society. Through ten chapters, she analyzes classic and modern tales, highlighting their themes of morality, sexuality, and imagination. Warner argues for the fairy tale's vital role in human understanding and culture.

From wicked queens and beautiful princesses to elves, monsters, and magic mirrors, the enchanting characters and imagery of fairy tales have captivated audiences for centuries. These timeless stories have transcended cultural boundaries, evolving with each retelling. Few literary forms possess the power to ignite our imagination like fairy tales. But what defines a fairy tale? Where do they originate, and what messages do they convey about morality, sexuality, and society? The history of fairy tales is intertwined with folklore and myth, drawing inspiration from nature, the supernatural, psychoanalysis, and feminism. Marina Warner, a lifelong admirer of these tales, delves into their various forms across time and media. She examines the evolution of fairy tales from the Victorian and Edwardian eras to contemporary children's literature. Warner presents a dazzling array of examples, including classics like Red Riding Hood, Cinderella, and The Little Mermaid, alongside modern adaptations such as Disney's Snow White and gothic interpretations like Pan's Labyrinth. In ten concise chapters, she explores the rich diversity of fairy tales, defining the genre and evaluating its significance as a vital repository of human understanding and culture.

Published to accompany an exhibition held Feb. 7-May 27, 2013, at the National Portrait Gallery, London; June 22-Sept. 8, 2013, at the Scottish National Portrait Gallery, Edinburgh; Oct. 28, 2013-January 19, 2014, at the Pushkin Museum of Fine Arts, Moscow.

A fascinating study of the symbolism of Joan of Arc in her own time and ever since in literature, politics, on the stage, and on screen.

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD 2012WINNER OF THE TRUMAN CAPOTE AWARD 2013WINNER OF THE SHEIKH ZAYED BOOK AWARD 2013Magic is not simply a matter of the occult arts, but a whole way of thinking, of dreaming the impossible.

Marina Warner's study of the products of fantasy deepens our understanding of the supernatural in relation to self and society. This surprising story explores the metaphors and media that have been the stock in trade of poets, scientists, magicians, and visionaries, including wax and cloud, smoke and mirrors, ether, ectoplasm, and celluloid.

Exploring the evolution of monsters from nursery tales to modern conflicts, Marina Warner delves into the societal fascination with fear and horror. She traces the origins and historical significance of these figures, highlighting their roles in myths and folklore. The book examines the representation of male figures of terror and their links to contemporary issues of sexuality, power, and identity. Warner's analysis reveals how these narratives reflect societal anxieties and the complex interplay between fear and cultural expression throughout history.

Widely considered to be one of the most engaging and fascinating artists of our time, Kiki Smith has, over the past 25 years, developed into a major figure in the world of twenty-first-century art. Her subject matter is as wide-ranging as the materials her work has encompassed. In the 1980s, with her earliest figural sculptures in plaster, glass and wax, Smith developed an elaborate vocabulary around the forms and functions of the body and its metaphorical as well as physical relationship to society. By the early 1990s, she began to engage with themes of a more religious and mythological nature. Her re-imaginings of biblical women as inhabitants of physical bodies--rather than as abstract bearers of doctrine--led her to make series of sculptural works related to the figure of the Virgin Mary, Mary Magdalene, Lilith and others. The artist has more recently considered fairy tales and folk narratives as well as nurturing a growing menagerie of work concerned with animals and the natural world. Smith has now earned a considerable reputation as a virtuoso printmaker and draftsperson, and as a re-inventor of the startling sculptural possibilities present in materials ranging from paper and resin to bronze and porcelain. Organized by the Walker Art Center with the full collaboration of the artist, the exhibition Kiki Smith represents the artist's first full-scale monograph.

When a mummy in the Museum of Albion is unpacked it is found to contain a bundle of curious objects and documents which tell of the wanderings of an unknown woman, Leto. On the run, in a far-off era of civil strife, Leto gives birth to twins, shelters with wolves, survives in a desert stronghold as the lover of its commander, stows away on a ship loaded with plundered antiquities and then works as a maid in a war-torn city. She loses her son but saves her daughter during a long siege. As the novel sweeps from mythological times and the Middle Ages to the treasure-hunting of Victorian Europe and into the present day, Leto reappears in different guises. Eventually she becomes a servant to a rock singer, and begins to search for her son.

Ogres, giants and bogeymen embody some of our deepest fears, dominating popular storytelling in various media, from classic fairy tales such as 'Puss in Boots' to the cannibal monster Hannibal Lecter, and from Frankenstein to Men in Black. schovat popis

In "De enige onder de vrouwen" gaat historica Marina Warner in op de oorsprong van de Mariaverering. Zij bespreekt de fabelds, de leugens en de kerkelijke machinaties die uitiendelijk leidden tot het beeld van Maria zoals dat ook nu nog in de katholieke kerk wordt vereerd. Met een scherp oog voor de beeldende kunst en steunend op een uitnemende theologische kennis schetst Marina Warner de verschijningsvormen van Maria: die van maagd, van koningin, van bruid, van moeder, en tenslotte van bemiddelares. Dit boek is niet alleen een geschiedenis van Maria, het is tegelijk ook een cultuurhistorische studie over het beeld van de vrouw in de christelijke wereld door de eeuwen heen.

This brilliant and timely study looks beyond the Freudian interpretation of fairy tales, to the tellers of the tales, and to the social and cutural contexts in which the tales are told and re-told through the centuries, from the ancient sibyls to the eighteenth-century SALONIERES, from Angela Carter to Disney. The value and enduring popularity of folk and fairy tales derives not only from their mythic significance but, crucially, from the fact that their concerns are rooted in the material world. Lively, provocative and ground-breaking, FROM THE BEAST TO THE BLONDE is Marina Warner's first major work of non-fiction since the acclaimed MONUMENTS AND MAIDENS.

This clear, simple guide based on a ground-breaking twenty-year study, reveals the specific factors that make a marriage work.

Eine farbige Darstellung von Kolonialisierung und Ausbeutung, erzählt anhand der eng miteinander verknüpften Geschicke eines englischen Familienclans und einer kleinen Karibikinsel im 17. und im 20. Jahrhundert.

Inspired by The Tempest, Indigo traces the scars of colonialism across continents, family blood-lines and three centuries.

Set against the time in which she lived and against the successive historical and cultural climates that have used her image for their own ends, Joan of Arc is depicted here as a heroine for all seasons. The author's other books include Alone of All Her Sex and Monuments and Maidens.

From 1861 to 1908 a woman, the Empress Dowager Tz'u-hsi, born the daughter of a minor mandarin, held the supreme power in China. Opportunistic, ruthless, malicious, she ruled over four hundred million people. This title presents her portrait.

This insightful exploration delves into the debates surrounding women's roles in medieval culture, authored by France's first professional woman of letters. The narrative begins with Christine de Pizan's frustration after encountering a male writer's disparaging views on women. In response, she experiences a dreamlike vision where three virtues—Reason, Rectitude, and Justice—appear to guide her in creating an allegorical city that defends women against such slander. The city's walls and towers are built from examples of female achievements throughout history, showcasing figures such as warriors, inventors, scholars, prophetesses, artists, and saints. Christine's bold defense of women directly confronts the misogyny of her time, providing a unique perspective on their status in medieval society. The work presents positive portrayals of women across various fields, highlighting their contributions and strength. For over seventy years, Penguin has been a leading publisher of classic literature in the English-speaking world, offering a diverse collection of over 1,700 titles that represent the best works throughout history. Readers can trust the series for authoritative texts, insightful introductions, and contemporary translations by esteemed scholars and translators.

Shows how the figure of Mary has shaped and been shaped by changing social and historical circumstances and why for all their beauty and power,the legends of Mary have condemned real women to perpetual inferiority.