Jan M. Ziolkowski Knihy

The narrative follows an entertainer who leaves his worldly life to enter a monastery, where his passionate dance before a statue of the Madonna leads to accusations of blasphemy. The story unfolds through its evolution from a medieval poem to its adaptations in the nineteenth and twentieth centuries. A pivotal moment occurs when the statue miraculously comes to life, affirming the juggler's devotion and skill, showcasing themes of faith, artistry, and redemption. This study spans six volumes, highlighting the tale's rich history and cultural impact.

Exploring the evolution of a captivating tale, this six-volume study traces the journey of a medieval French poem into its later adaptations in the nineteenth and twentieth centuries. The narrative follows an entertainer who leaves his worldly life to join a monastery, facing accusations of blasphemy for his dance of devotion before a Madonna statue. His fate changes dramatically when the statue comes to life, revealing the power of art and faith.

Focusing on the performing arts, this anthology examines the French poem Our Lady's Tumbler from the late 1230s, comparing it to biblical episodes and medieval miracles across various cultures. It also explores the poem's reception in modern literature, highlighting influences on notable figures like Anatole France and W.H. Auden. The collection features previously untranslated texts and offers insights into medieval beliefs, making it a valuable resource for scholars and students interested in the arts and the Middle Ages.

The narrative follows an entertainer who leaves his worldly life to join a monastery, only to face accusations of blasphemy for dancing in devotion to a statue of the Madonna. His fate takes a miraculous turn when the statue comes to life, captivated by his performance. This study spans six volumes, tracing the evolution of this compelling tale from its medieval origins to its adaptations in the nineteenth and twentieth centuries, highlighting its enduring impact and significance.