Robert Adams Pořadí knih

This volume is a personal compilation of quotations that have played a vital role in orienting Robert Adams’ life as a photographer. Copied down in private notebooks collected over six decades and now edited for the general reader, this meditative tapestry of words addresses the question: “What are the facts of our situation, and how might we respond?” From poets, novelists and songwriters to painters, photographers and more, the book features quotations from a revealing array of historic and contemporary figures including Diane Arbus, Ingmar Bergman, Paul Cézanne, Emily Dickinson, Dag Hammarskjöld, Dorothea Lange, Fran Lebowitz and Alfred Stieglitz. Adams has grouped these quotations into sections that correspond to the larger motifs in his œuvre, such as “Walking,” “Night” and “Long Views.” Taken together, they suggest the lineaments of an autobiography, one aimed at helping others by means of lived experience recorded in words.

In the mid-1970s, Robert Adams began recording nocturnal scenes near his former home in Longmont, Colorado. Illuminated by moon- light and streetlamp, suburban houses, roads, sidewalks and fields seemed transfigured. 25 years after first publishing a sequence of these pictures in 1985 as Summer Nights, he revisited his project, amending its title and completely re-editing its contents to create a more disquieting and thus more accurate reflection of his experience. Hailed as a new classic, Summer Nights, Walking went out of print soon after it was published in 2009. This sensitively enlarged edition, printed with the same exquisite care as the original, makes this revered body of work available to a new audience.

In the fall of 1968, Robert Adams, a college English teacher, found himself inexplicably drawn to photograph a nondescript area south of Colorado Springs whose most notable feature was a truck stop off the interstate. Unflinching in their description yet embodying a mysteriously radiant peace, the pictures Adams made of the otherwise graceless site confirmed for him a vital new way of relating to the world. He would parlay this revelation into The New West, the book that would establish both his photographs and his subject—the contemporary landscape of the American frontier—as matters of wider consequence. This pivotal early series has been re-edited to include previously unpublished pictures from the period.

Having lived in Southern California during his university years, Robert Adams returned to photograph the Los Angeles Basin in the late 1970s and early 1980s, concentrating on what was left of the citrus groves, eucalyptus and palm trees that once flourished in the area. The pictures, while foreboding, testify to a verdancy against the odds. Featuring sumptuous quadratone plates, this greatly expanded and revised edition of a title originally published in 1986 reinvigorates one of Adams’ most influential and admired bodies of work.

The view from Lookout Mountain west of Denver is of natural forms and our imprint on them, of the timeless and the passing. Generations have made their way there to find perspective on the city and the plains beyond. Robert Adams photographed from the overlook in 1970, and again in 1984. For this volume, he has assembled a selection of views, by him and by others, which document a complex location that inspires both hope and despair.

Exploring the intersection of psychology, neuroscience, and spirituality, this book addresses issues like depression, postconcussion syndrome, and PTSD. It delves into the experiences of those suffering from these conditions, shedding light on their pain, heartache, and the societal stigma they face. By integrating various disciplines, the text aims to empower wounded individuals, offering them both a voice and a roadmap toward healing and restoration.

The narrative follows Robert Adams, a young combat soldier grappling with intense emotional and psychological challenges. His journey through the harrowing experiences of war catalyzes a profound transformation, pushing him from the innocence of boyhood into the harsh realities of manhood. The story delves into the complexities of fear, growth, and the impact of conflict on personal identity.

To see a landscape in the grain of wood: enchanting new paintings from the great American photographer In the spring of 2020, as he watched his country tested by the COVID-19 pandemic, Robert Adams (born 1937) discovered in his garage a small plank of wood that contained within its grains and textures a whole landscape of its own. This led to the creation, during a difficult time, of an unexpected series of works that drew upon Adams' long-buried fondness for certain aesthetic qualities of stillness and austerity. Over the next few months, using scrap wood from an old bookcase, hand tools that had belonged to his father and his grandfather, and block printing ink, Adams affirmed his own basis for hope beyond the pandemic in the beautiful 23 paintings that are gathered in this elegant volume.

The narrative follows Edwin Janes Barden, known as Ned, who joined the Union army at 26 as part of the 7th Connecticut Infantry Regiment Volunteers. This regiment, formed in New Haven on September 13, 1861, comprised 1,018 officers and men, reflecting the local commitment to the Civil War effort. The story highlights Ned's journey and experiences within this significant military unit from his hometown of Canaan, Connecticut.