Francesca Woodman and the Kantian Sublime

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The book explores the feminist dimensions of aesthetics through the lens of Francesca Woodman's photography, situating her within a lineage of influential women artists. It transcends traditional biographical readings to present Woodman as a conceptually advanced artist. The study examines her engagement with Enlightenment aesthetics and the complexities of gender in relation to the sublime, offering a fresh perspective on her self-portraits and their significance in art history.