Kandinsky and Klee in Tunisia

Exploring the intersections of Islamic culture and modernist art, the work delves into Kandinsky's and Klee's journeys to Tunisia, emphasizing the cultural encounters that shaped their aesthetics. Roger Benjamin's extensive research offers fresh insights into the significance of these experiences, encouraging a reevaluation of modernist art through a postcolonial lens. His meticulous documentation and use of photographic evidence provide a compelling narrative that enriches our understanding of art history and the complexities of cultural exchange.