The Rape of the Masters: How Political Correctness Sabotages Art

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The book critiques the current state of art history education, arguing that it prioritizes political correctness over genuine appreciation of art. Roger Kimball highlights how renowned artworks are often misinterpreted through radical ideological lenses, reducing their significance to contemporary cultural debates. By analyzing eight iconic pieces, he advocates for a return to understanding art based on its intrinsic aesthetic value rather than political narratives. The work serves as a defense against the politicization of art, aiming to restore its rightful place in cultural discourse.