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Dolore Minimo

Hodnocení knihy

Parametry

  • 224 stránek
  • 8 hodin čtení

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In Dolore Minimo, Giovanna Cristina Vivinetto attends to her own becoming in language both tender and fierce, painful and luminous. This collection, Vivinetto’s first, charts the course of her gender transition in poems that enact a mutually constitutive relationship between self and place, interrogating the foundations of physical, cultural, and emotional landscapes assumed or averred immutable. Her imagination is rooted in the Sicilian landscape of her native Siracusa, even as that ground shifts under foot in response to the poet’s own emotional and physical transformations. Vivinetto engages with classical mythology, Italian feminist theory, and received constructs of family, religion, and gender to explore the terrors and pleasures of a childhood that culminates in a second birth, in which she must be both mother and child. Fee and Malech’s collaborative translations reflect the polyvocal and processual qualities of Vivinetto’s poetry, using language that foregrounds an active liminality and expresses the multiplicities of the self in dynamic conversation over the course of the collection. In Dolore Minimo, the lyric “I” is a chorus, but an intimate one.

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Nákup knihy

Dolore Minimo, Giovanna Cristina Vivinetto

Jazyk
Rok vydání
2022
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(měkká),
Stav knihy
Velmi dobrá
Cena
169 Kč

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Platební metody

4,8
Výborná
11 Hodnocení

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Titul
Dolore Minimo
Jazyk
italsky
Rok vydání
2022
Vazba
měkká
Počet stran
224
ISBN13
9781947817463
Série
Hodnocení
4,75 z 5
Anotace
In Dolore Minimo, Giovanna Cristina Vivinetto attends to her own becoming in language both tender and fierce, painful and luminous. This collection, Vivinetto’s first, charts the course of her gender transition in poems that enact a mutually constitutive relationship between self and place, interrogating the foundations of physical, cultural, and emotional landscapes assumed or averred immutable. Her imagination is rooted in the Sicilian landscape of her native Siracusa, even as that ground shifts under foot in response to the poet’s own emotional and physical transformations. Vivinetto engages with classical mythology, Italian feminist theory, and received constructs of family, religion, and gender to explore the terrors and pleasures of a childhood that culminates in a second birth, in which she must be both mother and child. Fee and Malech’s collaborative translations reflect the polyvocal and processual qualities of Vivinetto’s poetry, using language that foregrounds an active liminality and expresses the multiplicities of the self in dynamic conversation over the course of the collection. In Dolore Minimo, the lyric “I” is a chorus, but an intimate one.