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Cosmology and the Polis

The Social Construction of Space and Time in the Tragedies of Aeschylus

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  • 380 stránek
  • 14 hodin čtení

Více o knize

This book further develops Professor Seaford's innovative work on the study of ritual and money in the developing Greek polis. It employs the concept of the chronotope, which refers to the phenomenon whereby the spatial and temporal frameworks explicit or implicit in a text have the same structure and uncovers various such chronotopes in the Homeric Hymn to Demeter and in particular the tragedies of Aeschylus. Mikhail Bakhtin's pioneering use of the chronotope was in literary analysis. This study by contrast derives the variety of chronotopes manifest in Greek texts from the variety of socially integrative practices in the developing polis - notably reciprocity, collective ritual, and monetised exchange. In particular, the tragedies of Aeschylus embodies the reassuring absorption of the new and threatening monetised chronotope into the traditional chronotope that arises from collective ritual with its aetiological myth.

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Cosmology and the Polis, Richard Seaford

Jazyk
Rok vydání
2012
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Titul
Cosmology and the Polis
Podtitul
The Social Construction of Space and Time in the Tragedies of Aeschylus
Jazyk
anglicky
Rok vydání
2012
Vazba
pevná
Počet stran
380
ISBN10
1107009278
ISBN13
9781107009271
Série
Anotace
This book further develops Professor Seaford's innovative work on the study of ritual and money in the developing Greek polis. It employs the concept of the chronotope, which refers to the phenomenon whereby the spatial and temporal frameworks explicit or implicit in a text have the same structure and uncovers various such chronotopes in the Homeric Hymn to Demeter and in particular the tragedies of Aeschylus. Mikhail Bakhtin's pioneering use of the chronotope was in literary analysis. This study by contrast derives the variety of chronotopes manifest in Greek texts from the variety of socially integrative practices in the developing polis - notably reciprocity, collective ritual, and monetised exchange. In particular, the tragedies of Aeschylus embodies the reassuring absorption of the new and threatening monetised chronotope into the traditional chronotope that arises from collective ritual with its aetiological myth.