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Parametry
- 339 stránek
- 12 hodin čtení
Více o knize
Few public intellectuals have had such a big impact outside the academy as Edward Said.This, the first full-length intellectual biography of the groundbreaking author of Orientalism , reveals some startling observations. Abdirahman Hussein argues that underneath Said’s carefully constructed eclecticism there is a global method in his work. Taking Beginnings as the key text Hussein asserts that the discontinuity of the Palestinian experience informs Said’s entire oeuvre but simultaneously transcends it in a permanent search for a new synthesis. Hussein argues that this informs Said’s approach not only to Conrad, Swift, and Eliot, but also to Lukács, Williams, Gramsci and Adorno.
Nákup knihy
Edward Said, Abdirahman A. Hussein
- Jazyk
- Rok vydání
- 2004
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- (měkká),
- Stav knihy
- Poškozená
- Cena
- 229 Kč
Doručení
Platební metody
Nikdo zatím neohodnotil.
- Titul
- Edward Said
- Podtitul
- Criticism and Society
- Jazyk
- anglicky
- Autoři
- Abdirahman A. Hussein
- Vydavatel
- Verso
- Rok vydání
- 2004
- Vazba
- měkká
- Počet stran
- 339
- ISBN10
- 1859843905
- ISBN13
- 9781859843901
- Série
- Štítky
- Historické téma, Životopisy, Historické romány, Psychologická tématika, Filosofická tématika, Umění, Hudební tématika, Filosofie, Klasika, Spiritualita a duchovno, Politika, Autobiografie & Memoáry, Ekonomie, USA, Války, 20. století, Biografie, Publicistika & Eseje, Společnost, Anglie, Vzpomínky, Feminismus, Jóga, Buddhismus, Literární kritika, Světová historie, Psaní, Inspirace, 21. století, Okultismus, Romantismus, Marxismus, Revoluce, Osvícenství, Exil, Ruské dějiny, Literární teorie
- Anotace
- Few public intellectuals have had such a big impact outside the academy as Edward Said.This, the first full-length intellectual biography of the groundbreaking author of Orientalism , reveals some startling observations. Abdirahman Hussein argues that underneath Said’s carefully constructed eclecticism there is a global method in his work. Taking Beginnings as the key text Hussein asserts that the discontinuity of the Palestinian experience informs Said’s entire oeuvre but simultaneously transcends it in a permanent search for a new synthesis. Hussein argues that this informs Said’s approach not only to Conrad, Swift, and Eliot, but also to Lukács, Williams, Gramsci and Adorno.